Welcome, weebs, to Animated Observations
To be lost, without an identity To be haunted, by those from your past. To be stranded, abandoned by those who are supposed to love you. A boy without a home, hiding behind the pages of books.
It is getting harder and harder each week to introduce such an incredible series. Every volume goes in a completely different direction than the one before it, and yet “Aku no Hana” still works as a cohesive series. What it is buiding to is something I still genuinely do not know, as I have been avoiding any discussion of the series online or with friends. As for volume eight, though, here are my final thoughts.
One of my favorite things about reading a good series is finding the little pieces of symbolism that are often times hidden in plain sight, and I think Oshimi did a great job with this. For “Aku no Hana,” the most obvious mini-symbol are the characters’ hair. Oshimi uses Nakamura’s original hairstyle as a reminder of her presence even when she is not in the scene itself. One good example is when Saeki cut her hair right before she went over to Kasuga’s house in a last ditch effort to get him to change course. There, she had Nakamura’s hairstyle, which was both a tool used by Saeki to get his attention and a reminder of how important Nakamura is.
However, more recently, Kasuga also has his hair in Nakamura’s style. This serves as a symbol of Kasuga’s longing for her, and also how he still sees himself in her. On top of that, the hairstyle could also be seen as a reminder of Nakamura’s personality, being someone who always demanded the attention of others, and was not afraid to be loud and rebellious.
While the hair style itself is not a particularly technical element of the story, it is one of those small things that helps to really tie the overall narrative together, and adds a deeper layer even when there appears to be not much else going on.
I honestly thought it would be a little bit later that either Saeki or Nakamura would get reintroduced, but it makes a lot of sense.
While walking home with Tokiwa and talking about her novel, the two pass by Saeki and her new boyfriend. The four talk for a bit, and then Kasuga and Saeki exchange contact info, only for Saeki to invite Kasuga out the same night. The two then go out for lunch the next day. The two start by having a normal conversation, but it quickly moves to the topic of their past. It becomes clear that the two of them are yet to be completely over the past.
One of the more interesting revelations during this conversation is that Kasuga has yet to try and contact Nakamura in any capacity. While it could be argued how much ability he has to actually get in contact with her, the reality is that Kasuga’s reluctance to find Nakamura is much more of a mental block than a physical one.
On the one hand, Kasuga obviously misses who he thinks is the one person he ever had a real connection with, maybe even the first real feeling of love. However, with those first feelings also came hardships and sadness. In many ways Nakamura ruined his life just as much as she might have made it better.
Saeki’s accusation still rings somewhat true, that Kasuga merely used Nakamura as a way to escape his own emptiness and depression. Now, Kasuga wants to start again, but first he has to deal with his feelings about the past. He can not get to attached to
Tokiwa is another reminder for Kasuga of Nakamura. Not only does she have that very similar hairstyle, the two also look incredibly similar more generally speaking. More importantly though, Tokiwa can be seen as representative of Kasuga’s internal struggle. She is both a reminder of his past, as well as a gateway to a new normal.
I said a few lines ago that things will get complicated if Kasuga acts on his feelings for her, but I think that part is pretty obvious. What will happen after that is a bigger mystery, one that I can confidently say I do not have the answer to.
The end of the series is fast approaching. In just three more volumes I will finally reach the end of this series, and yet it still has kept its charm and mystery throughout these first eight volume, which is a testament to just how good “Aku no Hana” really is. Their really is a density of meaning hidden throughout the series that reveals more and more each time I read it, which is part of why it has become so much fun to write about. I hope you all will join me next week when I continue on to volume nine.
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