The Best of Us, The Worst of Us, The Lot of Us: Rikka

Welcome, weebs, to Animated Observations

(As a quick aside, this post was significantly better written beforehand, however, my WordPress decided to forget half of the post after I went to sleep one night and so I had to rewrite a significant portion much differently. Regardless, I hope you enjoy).


Chuunibyou is an oddball series animated by Kyoto Animation. It focuses on the life of Yuuta and his wish to start high school over as a new person. This is because Yuuta spent his middle school days with a “disease” known as Chuunibyou, a condition which invokes in its victims the horrible fate of *checks notes* …writing and acting out a horrible OC while looking like a complete dork. Needless to say, the actual stakes of this series are fairly low. However, while that may be true in an absolute sense, the series does a fairly good job of absorbing us into the world of these “delusions.”

At the center of these delusions, and the show’s secondary main character, is Rikka, a girl who is still afflicted with Chuunibyou, and who ends up slowly dragging Yuuta back into this world. So, “what is this world?” you might ask. Well, it is complicated, but it most often manifests itself as a series of JRPG, action-adventure, and fantasy tropes which the characters have collectively agreed to be a part of. Well, mostly agreed to be a part of, as Yuuta’s hesitancy to embrace his character of “Dark Flame Master,” which left him without any real friends in middle school, becomes a major sticking point throughout the series.

The show does seem primarily concerned, though, with Rikka, and Touka’s, her sister, concern that this Chuunibyou will leave her without the ability to function as a real member of society. From Rikka’s perspective, it is this world of fantasy and delusion that serves as an escape and purpose. Each battle with Touka, imagined as the evil “priestess,” or Nibutani, who Rikka believes to be a false incarnation of her former character “Morisummer,” brings with it a sense of living genuinely.

I said before that the stakes of this series are fairly low, and that is very much the case. While Touka definitely worries for Rikka’s health, she never goes as far as to take her to a doctor or therapist, at least within the confines of the story told. It is possible to imagine her resisting that suggestion strongly, but still. In contrast with that, the death of their father and a subsequent forgotten run-in with the “Dark Flame Master” himself seem to be the catalyzing factors in Rikka’s strong sense of Chuunibyou. This, again, begs the question: what exactly is at stake for Rikka?

At first, it seems to be her father’s memory. When observing Yuuta’s character, Rikka came to believe that her father was trapped in the “horizon” of this Chuunibyou world and that by training and getting stronger she could eventually find and rescue him. While the end of season one, and the resolution of Rikka’s feelings surrounding her father’s death, it becomes Yuuta, and their burgeoning romantic relationship, that keeps her involved in the world of delusion.


After she reconciles her feelings and beliefs about her father at the end of season one, her primary driver becomes Yuuta, and with the introduction of a little bit of competition for his affection in the form of Satone, her Chuunibyou becomes firmly grounded in their relationship. Her mystical battles become ones of love, rather than a fight to preserve her father’s memory.

Chuunibyou’s existence as a real-world concept is attributed to Japanese comedian and commentator Hikaru Ijuin when he used it in 1999. In that context, he was referring to middle schoolers with wide imaginations and very little shame. However, after psychologists began investigating the condition as potentially real, Ijuin became worried and retracted his statement. As I mentioned above, Chuunibyou has very few actual stakes in its narrative, at least as far as most people would use the term. So, if it is not a real condition, and her problems involving the loss of her father are gone, then what does that mean for Rikka?

While this series is technically one of my favorites from Kyo-Ani, on the whole, not many people rate the show particularly high. I cannot speak for everyone that has watched the series all the way through. Still, I do think it is worth applying a couple different lenses to her character.

When I talked about the series back in 2019, I threw out the idea that the Chuunibyou could be a metaphor for neurodivergent people. After all, Ijuin retracted his statement in 2009, and the first light novel for the series did not come out until 2011. Though the specific cultural connotations of the word are lost on me, it is clear that the term Chuunibyou developed a context outside of the comedian’s initial comments. After all, Rikka’s journey involves fighting against both her sister, at times Yuuta, and others who tell her that she eventually has to become “normal” despite the fact that remains a serious challenge. The metaphor is not totally one to one, however, since Chuunibyou is considered a temporary condition, whereas things like ASD and ADHD are usually with people for life.

Even outside of that more narrow interpretation, however, the influence of magic and fantasy-style games and anime can be evidence of a general appreciation for nerdy subcultures. These groups, almost by definition, exist outside mainstream tastes. As a result, many people in these groups can feel isolated. Finding comfort with people who are also in those groups becomes one of the few avenues for expressing themselves against a conformist society. The backdrop of Japan here also plays a surprisingly relevant role, as cultural homogeneity in Japan is even greater than in places like Western Europe or the U.S.

Ultimately, regardless of the interpretation one might use, Rikka’s character is about breaking hegemony. She exists in a world that is unsympathetic to her as a person, and as much as Yuuta might be embarrassed by her at times, he cannot help but feel grateful to her. Her steadfast sense of self in the face of an uncaring environment is admirable, to say the least.

How do you feel about Chuunibyou and the character of Rikka? Are there other characters I should take a deep dive into? Let me know in the comments.

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