Romance Anime, “Golden Time,” and Amazing Drama

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Hey everyone, so quick backstory on this post. I watched the anime series Golden Time earlier this year and I liked it… a lot. I liked it so much in fact that it ended up on my favorites list that I posted back in August. It also inspired me to make a video which, not uncommonly around here, I never actually ended up doing. So, since I ran out of time for today and could not think of anything else, here is the script for that video. Enjoy!

Hot take: most romance anime are not particularly good.

Yeah, I said it. What are you gonna do about it? In all seriousness though, I hope that at this point in the progression of anime as an art form that we can at least recognize the abundance of mediocre romance in anime. You know the ones I’m talking about: the generic Japanese high school main characters have never interacted with a member of the opposite sex will they won’t they until they maybe hold hands at the end of season two if they even get that far bs that feels like it dominated for most of the 2000s and 2010s. 

Thankfully, it seems as though that is slowly beginning to change. While I did not necessarily enjoy it as much as others, I can at least appreciate what a show like Gamers! was trying to do, playing off the traditional popular girl loser main character dynamic and flipping it on its head. Shows like Horimiya have shown that romance anime can come to satisfying conclusions, while also displaying a fair amount of emotional and character development among the whole cast. Granted, Tsuresure Children was doing this back in 2017 to a slightly worse effect, but still good to see regardless. 

Now, this is not to say that this push and pull dynamic can’t work in certain shows. Oftentimes, such as with a series like Kimi no Todoke, this revolves around the idea that the main characters are afraid of what the other one is thinking, which is definitely relatable. In fact, I would say most romances of this persuasion invoke this notion of relatability. However, that by itself is not a payoff or a mark of good storytelling, but merely a part of it. 

This brings me to Golden Time, a 2013 romance and drama produced by J.C. Staff. The story centers around a college-age amnesiac who remembers nothing about his identity due to having been knocked off a bridge. Tada Banri, thus, decides to move to Tokyo and attend law school in order to start his life over. From there, he meets Yana, and the rich girl who’s obsessed with him, Koko. The group begins to grow close while Banri slowly but surely regains his identity.

Funnily enough, I actually ended up hearing about this series at first from an old episode of the Podtaku podcast, which featured some familiar faces of the anime YouTube community, namely Gigguk. He was incredibly enthusiastic about the series at the time, and for whatever reason, his high praise of the show stuck in my mind. Never have I been more thankful for my oddly specific long-term memory, because while I went into Golden Time with relatively few expectations, it delivered a storytelling experience that I can only describe as emotionally cathartic and incredibly well executed.


A lot of what Golden Time does right comes in the form of the character’s relationships as well as its use of Tada Banri’s Amnesia as a plot device. For starters, it helps that these characters feel like real people. Like I said before, relatability only matters in so much as it allows the viewer to form a connection with the series and the characters. However, forming a direct relationship between viewer and audience is not the only way to do this. 

Instead, the series ops to let the characters’ relationships progress naturally. The fact that Banri and Koko start dating in the first place is a product of both Banri’s longing to build a new identity due to his amnesia, as well as Yana’s refusal to date her. Similarly, Yana’s budding relationship with Linda follows logically from being rejected by Chinami and then hanging out with her in a purely platonic context. None of the relationships that emerge throughout the series feel forced, which allows for more of a genuine experience.

Of course, all of these relationships are centered around Banri, whose journey through college and battle with his amnesia is the focus of the series. Banri, while definitely having the character design of a generic anime protagonist, certainly does not act it. Even as a literal shell of a human being, his progression throughout this 24 episode series is a combination of heartbreaking and victorious that feels like the best roller coaster I have ever ridden. Through the highs and lows of his journey, he remains a moving presence on screen, and the looming worry about the potential consequences of his returning memory makes it all the more engaging.

A theme that emerges early on in the series is one of identity, specifically dealing with the loss of one’s identity and the prospects of beginning life anew. Now, for Banri this is fairly obvious, as his amnesia has forced him to pack up and start fresh in an unfamiliar place. However, the same can also be said of Koko, who built her identity around a version of Mitsuo that only existed in her head. Thus, when he rejected her in the clearest language he could, her identity also falls apart and has to be rebuilt. 

Banri’s amnesia and this theme of identity become foundational for the series and drive a lot of the heavier moments that happen later on. During Golden Time’s latter half, Banri realizes that the re-emergence of his lost memories could also spell the disappearance of his current ones. This becomes more obvious when he begins to have episodes of remembrance, and the previous Tada, Banri reemerges. It is during this time he realizes just how fragile the current version of himself really is.

However, that fragility is not just his own. Just as much as she had built her previous identity around Mitsuo, Koko has similarly become inseparable from Banri. Thus, when it becomes apparent that the boyfriend she knows might not be around for much longer, she breaks up with him in order to save herself the pain of watching their identities collapse simultaneously. 

So much of what makes good drama and romance are the stakes. After all, romance itself can only be so interesting. What matters is what is happening around that romance. For Golden Time, those stakes are the relationships themselves. Banri doesn’t want to lose his entire identity again, and neither does Koko. To live a normal life in the face of the almost supernatural: that is the dream of these two star-crossed lovers. Sure, it turns out ok in the end, but it didn’t have to, and that fear of loss is powerful…

How do you all feel about Golden Time, and about romance anime in general? Let me know in the comments below.

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