Tag Archives: Aggretsuko

The Observation Deck: Aggretsuko Season 5

February 22, 2023 Jack Scheibelein Leave a comment

Welcome, weebs, to Animated Observations

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Season four of Aggretsuko ended up being one of the more disappointing elements of last year’s anime releases, so much so that I honestly forgot it only came out a year ago. The second half turned into a soap opera style drama that did not match the vibe of any of the previous episodes, essentially abandoning what made the show so unique in the first place. Now, it is possible that I would be a little a bit nicer to season four if I re-watched it now, but it still would not rate particularly highly.

However, Aggretsuko season five feels like a bit more of a return to form, albeit in a direction that still feels incredibly different than the original seasons. The newest storyline looks as a whole look at work-life culture primarily from the perspective of the now unemployed Haida, as well as his and Retsuko’s journey together through self-betterment and their romantic relationship.

Dejection and Apathy

The story of season five is also one that shows just how easy it is to go from well off and secure to utter disaster, even for those who might otherwise might be assumed to be well off or smart enough to “make it.” The opening few episodes, in particular, follow Haida’s brief bout with homelessness after his big wealthy father sends his brother Jiro to kick him out of his apartment. Having spent all his savings on Gacha pulls, he is forced to spend sleep in a net café

The show drives that point home even further with Shikabane, a 21-year-old who happens to be Haida’s video game buddy. Though the two get along well, Shikabane is very much his opposite in her philosophy on life, as she argues that aspiring towards “stability” simply means spending more time to make money for other people. Aggretsuko more or less makes this idea that tagline of the show during the opening episode, starting the season with “the prison of freedom.”

It is Shikabane’s story, along with the story of many like herself, that ultimately fuel the conflict towards the second half, in a way that feels more in line with the spirit of Aggretsuko than did the last season. After meeting Haida’s family and then later getting recruited by the party of rage, Retsuko is ultimately convinced to run against Jiro in a race for the house of representatives.

As confusing as that sounds, the show does tie the narrative together pretty well. Haida’s brother Jiro and his father represent conservative politics in Japan, with his dad’s money coming from right before the bubble of the 90s. Because of this, he tends to look down on poor people, arguing that they simply do not work hard enough. Haida and Retsuko, presumed to be on a much different end of the political spectrum, decide together it would be best to run against them.

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Politics?

The storyline surprised me a bit as well, at least at first. Of course, Aggretsuko always gets into an expected bit of wackiness, buffoonery even, but this still seemed a bit out of left field. However, with Haida no longer working at the same company, a pivot that takes them out of the workplace and into the “real world,” so to speak does feel appropriate. I mean, what else is Retsuko gonna do with all that rage?

At the end of the day, though, Aggretsuko has always had a pretty punk-rock outlook on life. Sure, Japan’s shitty work culture was the main focus, but part of what contributes to that is the lack of political willpower to change anything about it. Even Jiro recognizes this at the end when he says he’ll introduce a bill to force those who are 65 and older to retire. It is not exactly the most nuanced approach to the topic, but nonetheless feels fitting.

The Time for Jokes is Over

Part of what made season four, and to an extent season five as well, so disappointing was, at the end of the day, that it really was not that funny. One of the show’s biggest draws was its ability to weave in edgy and even sometimes incredibly dark humor alongside stories about the usual suspects dealing with their workplace.

Do not get me wrong, it is not as if the season was completely devoid of comedy. The scene where Retsuko and the others find Haida camped out in the net café with Shikabane is pretty funny. In fact, the opening episodes as a whole do a decent job of interweaving those comedic elements someone who has watched the show up until this point might come to expect. However, none of it really rises to the level of being “laugh out loud” hilarious.

Conclusion

If the internet is to be believed, this will be the final season of Aggretsuko, which leaves me with mixed feelings. Though the plotline of season five makes a lot more sense than the back half of season four, it ultimately still feels like a less than ideal departure from where the series was in its initial installments. Not to say it was ever perfect, but a lot of the comedic elements that made it so comedically potent are unfortunately missing.

58/100

How did you feel about Aggretsuko’s potential final season? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

As always, special thanks to Jenn for supporting us on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

The Observation Deck: Aggretsuko Season Four

January 30, 2022 Jack Scheibelein 3 Comments

Welcome, weebs, to Animated Observations

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A part of me feels weird that I am even writing this review in the first place. After all, season three of Aggretsuko ended in a really good place, demonstrating the presumptuousness of others during times of personal trauma. Retsuko screams into Haida’s face while doing some karaoke, and ideally, he gets the message, right?

Unfortunately, no. As much as I was, at least initially, pleasantly surprised about a fourth season of what has since become one of my comfort series, the reality of its quality is much different. I often try to stay away from others’ opinions of a show before actually watching, but Hiding in Public’s excellent breakdown of Aggretsuko’s fourth season just so happened to pop up in my YouTube recommended, and they pretty much hit the nail on the head.

Now, honestly, I could just leave it at that because of how well-structured that video is, but that feels kind of lazy. So, I will do my best to break down what works about the season and what does not.

Remembering the Point of Aggretsuko

From its initial debut back in 2018 up to the best points in season four, Aggretsuko has always been a hilarious satire of Japanese work culture. There is the asshole boss who barely hides his disdain for those below him in Ton, the workplace gossiper who seemingly knows everything about everyone in Kabae, and the one who seems like they honestly might kill someone in Anai.

Limited personal experience aside, I have heard enough stories from others with similar office jobs to validate these experiences, and ya know what? They are genuinely funny because they come from a real place. As I talked about back in 2019, the series deals with some sad realities of Japanese work culture, especially for women, even more so younger women. Given how extreme these situations can be, satirization comes across as justified.

Additionally, what makes Retusko’s character so compelling is not just the aforementioned sad realities, but that she is treated like a real…~~red panda?~~ person rather than a helpless victim. What comes across as more disturbing in a lot of these instances is not so much the behavior itself, although it is absolutely terrible, but rather the normalization of that behavior. All of this is to say that Aggretsuko‘s best moments come from its comedy, not

The Drama

Oh, golly gee Batman, where to start with this…

The more dramatic moments in Aggretsuko have always been a bit weird because while they are never particularly bad, few stand out as particularly good either. The best I think happens during seasons one and two when the topic of marriage becomes a serious one for Retsuko, as pressure from her parents combined with her fling with Tadano has her questioning what she wants to do with her life.

Though they do become more prominent and take up more screen time as the seasons go on, at the very least, it creates a new dynamic in the relationship between Retsuko and her co-workers. The Drama in season four, however, is a bit different.

The season starts out simple enough, with the new CEO of the company taking a much more active role and asking Ton to fire some people. Of course, his hatred for everyone there is only overtaken by his respect for the people who do honest work and tells the CEO exactly that. A solid comedic bit with room for light-heartedness.

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However, as the season reaches its halfway point and it seems that romance between Haida and Retsuko is finally attainable, Aggretsuko, well, just throws it all away. Doing a total 180 with virtually no warning, everyone seemingly turns into a different character, and the latter half becomes a soap opera level drama about Haida and the CEO teaming up to *checks notes*

…forge the company’s sales numbers before the final quarter as a way of increasing profits? Oh, and did I mention Haida becomes accounting director and Ton gets fired leading to Ton and the other accounting department members collaborating on a scheme to take Haida and the CEO down?

Literally, nothing about the fourth season’s second half makes any bit of sense. I was honestly more concerned that Netflix had just forgotten to put up some of the episodes, but no, this is apparently the creative direction they had, so…yeah.

Some Good Character Moments with Ton and Kabae

Even though it was pretty bad, I do not want people to walk away from this review thinking there was zero positive reception on my end. In fact, there are definitely hints of a few good ideas, most notably the arcs of Ton and Kabae

Directo Ton has always been a sort of villain character for the series, making Retsuko and others’ lives living hell. Still, the dude is only human. He has a family he needs to provide for, and it is not like being a middle manager necessarily means he is swimming in money. No, what works about his character in season four is how willing the show is to humanize him as someone who wants to do right by the people he cares for.

The same can be said for Kabae, whose story about “voluntarily” being ousted by higher-ups and making the decision to stay at home for her kid is both heartwarming but also tragic, again speaking to the realities faced by women in the workplace that Aggretsuko as a series is so well versed in.

These two are highlights of the entire season. Both of them are humanized in a way that plays towards their personalities. Sadly, though, both of their moments get cut fairly short. If this season had chosen to focus on them as opposed to whatever the hell those last 5 episodes were then it might have ended up being a fair bit better.

Conclusion

I wish I could say that the bad outways the good here, but that just is not the case. Season four ended up taking a really solid formula for relatable comedy and heart-warming moments and apparently forgetting it entirely. This will probably end up being one of the bigger disappointments for me this year.

44/100

How did you feel about Aggretsuko’s latest season? Let me know in the comments below.

As always, big shoutout to our patron Jenn, the support is greatly appreciated.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

The Observation Deck: Aggretsuko Season 3

December 12, 2021 Jack Scheibelein 1 Comment

Welcome, weebs, to Animated Observations

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This is probably the closest I’m going to get to having a timely holiday-themed-ish post, so that is an accomplishment, I guess.

Unfortunately, or maybe, fortunately, I did not actually watch the third season of Aggretsuko when it came out in August of last year. Why? idk, I was probably busy with not watching anime or wanting to watch anime but not actually having the mental focus to start one. Either way, it gave me the opportunity to sit down with it this year, and man was it a treat.

For those uninitiated with the series, Aggretsuko tells the story of a set of Sanrio-designed characters who work mediocre office jobs. The main character, retsuko, is a red panda who does accounting and is constantly harassed by her boss, and is slowly losing her sanity. Luckily, she has Fenneko the fox and Haida the hyena to help keep her sane. When the show last left off at season 2, Retsuko had just gone through a pretty big relationship, but ultimately ended it because Tadano said he was not willing to get married.

Sanrio’s Character Designs

I somehow failed to discuss this in my last review of the series, maybe because it felt a little bit obvious, but the character designs of Sanrio contribute so much to this series. I am willing to bet that most people’s only familiarity with the mascot company is Hello Kitty, a character that, at least in the U.S., has only ever been marketed towards young girls.

Thus, it becomes that much more impactful to see similar-looking characters in a modern Japanese work environment, where the colorfulness clashes with just how dull the office feels. It creates a level of confusion and absurdity that you just cannot help but laugh at.

Retsuko is an…Idol?

Initially, the whole idol storyline felt way out of place for a series in which the primary focus is Retsuko going insane every other day. However, as the events unfolded and the season began making its point, it really came together. After two seasons of torturing her character for comedic effect, it did feel nice to see her girl boss her way to the front of an Idol group, taking them from unknown to one of the biggest stars in the country.

On top of that, watching Haida wrestle with his feelings for Retsuko and Inui was entertaining, to say the least, and not for the reason you might think. As compelling as his arc was during this last season, it became pretty obvious that he was only ever going to want to be with Retsuko, which after a certain point, just added the comedy of it all.

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Gori and Washimi are Fighting…

If I was forced to pick my favorite side characters, it would probably be Director Gori and Ms. Washimi. The way they started as these two ominous figures at Retsuko’s company but then end becoming two of her best friends is genuinely charming. Their dynamic together helped to drive a lot of important story and comedy moments, such as when they all took a trip to the bathhouse.

Sad to say, though, that this dynamic is unfortunately absent from a lot of season three. Gori and Washimi are mad at each other for… some reason, Gori is pursuing her goal of creating a dating app and Washimi is…doing something? It is not made particularly clear, which kind of adds the overall disappointment. Still, given the storyline being told, the lack of this dynamic is more a personal dissatisfaction than a failing of the show itself.

Haida’s Love for Retsuko, and Also His Stupidity

The ending for the season honestly just felt appropriate. Well, maybe that is a bad way of phrasing it, cause describing Retsuko getting knife attacked by her crazy stalker as “appropriate” feels wrong. Still, it is a pretty dramatic ending with Haida coming to rescue and Retsuko barely avoiding a terrible injury, at best.

Then, for some reason, Haida decides that this is the best time to confess his feelings to her, and everyone else agrees, I guess? Of course, not surprisingly, Retsuko expresses her feelings in the form of a metal song, where he essentially tells Haida to H*ck off. More specifically though, she confronts him with the reality that, regardless of her feelings, she isn’t really in a place where she can trust people, and it is rude of him to push her on it when she does not want to.

Conclusion

Season three of Aggretsuko was a fantastic watch. Maybe not as much of a holiday viewing as I initially implied, but still filled with the drama, romance, and fun one could ask for out of any Christmas special. Although, the series does have an actual Christmas special which is also available on Netflix, so maybe watch that as well.

How did you all feel about Aggretsuko season three? Let me know in the comments.

Special thanks to Jenn for the continuous support on Patreon, it is much appreciated.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

Final Thoughts: Aggretsuko

July 1, 2019 Jack Scheibelein 7 Comments

Welcome, weebs, to Animated Observations

The first season of Aggretsuko was a show that I enjoyed thoroughly. Now that season two is out on Netflix, I got a chance to watch it while it was laying in my bed with literally nothing else to do. I was definitely hoping season two would live up to the first, and on that front I can say with confidence that it did. However, aside from Aggretsuko as a show being generally good, here are some more of my final thoughts.

#Relatable

As much as I think relatability, like the word “dark” has become an overused buzzword in reviews and commentary, for which I myself am also guilty, I do still think it a lot of contexts that it is important, especially in a Slice-of-life context. Retsuko, despite being a much different person, and living in a much different scenario, is someone that I relate to a lot, especially in the realm of self-confidence and goals. She has friends, but doesn’t have a whole lot of interests or goals, and that is definitely something I have experienced. However, its not only Retsuko. Haida, Retsuko’s office friend, is also relatable in a lot of ways. For example, when he asks Retsuko to go out with him, only to get rejected. Haida, for a lot of season two is left in the support role, still having feelings for her, but also still wanting to be a good friend. Even Anai, the newest character in the series, is somewhat relatable. His fear about not being able to make it in an oppressive corporate environment makes him paranoid, and I can definitely say cheers to that, brother!

Retsuko as a Metalhead

If you know anything about the show, its probably that a lot of Aggretsuko’s, more so in its first season, revolving around Retsuko’s secret love of Metal music and karaoke. Whenever she is sad, angry, or otherwise feeling negative, she generally defaults to hitting up a karaoke bar after work and screaming her lungs out. Eventually, Retsuko finds friends in the form of Washimi and Gori who help her work out her problems. Despite not being that big a fan of metal, I actually quite enjoyed a lot of the musically bits, especially when used as a comedic punchline. One of my favorite parts was probably near the end of season one where Retsuko goes to an office party which just so happens to have Karaoke. Retsuko makes a very drunk decision, screams her brains out, and insults her boss Ton while doing so. She later realizes that no one remembers because they were also drunk, and so she lets out a huge sigh of relief. It is one of the funnier scenes in the entire series.

Conflict, Resolution, and Marriage

One of the more interesting internal discussions that Aggretsuko has in its second season is about the concept of marriage. Near the end of the second season, Retsuko’s super rich visionary CEO boyfriend Tadano tells her that she does not want to get married, but that he still wants to spend the rest of his life with her. At first, Retsuko is conflicted, not sure if she is willing to accept just being together. Later, Retsuko confronts Ton and tries to hand him her letter of resignation after being gone from work for almost a week. However, Ton can tell something is wrong, and advises Retsuko that she should stand up for what she believes in and not let others make decisions for her. Retsuko, with the assitance of Haida, Washimi, and Gori, confronts Tadano, letting him no that its marriage or nothing.

It is definitely a timely discussion. The reality is that many in both the millennial generation as well as Gen Z are much less inclined, for a wide variety of reasons, to get married. It is a symbol of permanence, a commitment to another that is supposed to last a lifetime, but as much as some might like to, many in these generations are not in a position to get married. Economic conditions, both in Japan and the U.S. are getting worse by the day, and it is becoming harder for regular people to afford basic things, and as such most people are not focused on marriage. However, another reason marriage is less appealing is that many more people, especially women and certain minorities, also feel empowered to be free and independent due to many more people having access to higher education, and as such marriage is less appealing from that perspective as well, because it ties you to someone.

Retsuko, on the other hand, views marriage as an institution of stability. Being that she does not know what she wants to do with her life, Retsuko sees marriage as a way to not only to be stable, but also as way to become invested in another person, and even more people if she were to have kids. Its a strange, yet understandably pure feeling. It is also very #relatable.

Conclusion

Retsuko is one of the best new Slice-of-life comedies to come out in a while. Its first season was captivatingly funny, while hinting at a lot more to come, and the second season felt like the perfect delivery on that more to come. Overall, it is absolutely 100 percent worth your time.

What parts of Aggretsuko did you all enjoy? Did you enjoy it at all? Let me know in the comments below. If you would like to support Animated Observations, consider buying me a coffee on kofi:

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Anime/Manga, OWLS Posts, Series

OWLS March “Feminine” Post: Aggretusko and Dealing with Harassment

March 19, 2019 Jack Scheibelein 6 Comments

Welcome, weebs, to Animated Observations

Well, its women’s history month, and in honor of that OWLS is celebrating by making our theme this month “Feminine”

In honor of Women’s History Month, the OWLS bloggers will explore the concepts of femininity and feminism. We each have our own definition of these two terms and we will explore our definitions using “feminine” characters from various pop culture fandoms. We will discuss how these characters are “feminine” or show signs of a feminist agenda. We will also share our personal stories about the amazing women that supported us in our lives as well as sharing experiences involving women’s rights, oppression within the patriarchy, and/or issues of growing up as a woman or having a feminine persona.

If you haven’t already, be sure to check out Megan from Nerdy Rambles‘ post for this month, and make sure you look out for Irina’s post on the 25th.

Now, without further ado, here is the post.

This may or may not come as a surprise but in many places around the world, women deal with a lot of unequal treatment. For many places, like Saudi Arabia, this inequality is quite famous, as the country just recently lifted its ban on female drivers. Even the U.S. has largely lagged behind other developed nations in this category, with the makeup of Congress still largely under representing women. However, one country that also deals with a lot of inequality is Japan. According to the World Economic Forum’s Global Gender Gap Report, Japan remains in the bottom third, at 110 of 149 countries. For reference, Saudi Arabia sits at 141 and the U.S. actually sits at a 51.

Aggretsuko can be seen as somewhat of a microcosm of the problem with Japan’s inequality. The show follows Retsuko, as she deals with the problems of being both a woman and a salaried worker in Japan. Her boss is probably the worst person to ever live and constantly makes her life miserable by giving her more and more work. Each day is a new problem, but at the end of it she goes out for Karaoke and sings her favorite genre: Heavy Metal. However, despite her temporary relief, she still has to go back to her job each day. and deal with more work and more harassment.

This is also the experience of a lot of Japanese working women. According to a Ministry of Health, Labour and Welfare study that was conducted in 2016, a little over 32 percent of women have experienced Sexual Harassment. That includes 30 percent of part-time workers and 35 percent of full-time workers. There is, however, no law that specifically criminalizes Sexual Harassment, only laws that help identify companies that fail to prevent it, and no such company has been identified since 2015, according to the U.S. Human Rights Report.

There is also another layer to this problem. In Aggretsuko, one of Retsuko’s coworkers, Fenneko, provides the perfect example of how females must act in order to get by. Fenneko is always agreeable, always has a welcoming smile on her face, is always giggling at her male coworkers jokes even when they are not funny. Fenneko always takes the path of least resistance, and for most Japanese women, this is what is encouraged.

In his article for the Daily Beast, Writer Jake Adelstein goes into a large amount of detail about a few distinct cases that highlight the massive amount of misogyny that exists and is directed at female workers. In one instance, a weekly news magazine called Shukan Shincho reported on a story about Vice Finance Minister Junichi Fukada verbal harassing a female reporting while attempting to ask him questions. Adelstein also quoted an anonymous female reporter as saying that “In Japanese society, any woman working outside the office is expected to be like a mama-san [manager] at a bar in Ginza—to laugh off lewd comments and unwanted touches, while using their female wiles and cuteness to squeeze as much money out of the customer as possible.”

However, the lack of attention on these problems also speaks to another problem: The unconditional veneration of Japanese culture. Its seems as though, for the many fans of anime and other forms of Japanese culture that recognize and understand the problems with said culture, there are just as many who would just rather be in love with the idea of Japan rather than the sociocultural reality.

Aggretsuko is a show that highlights many of the problems not only with harassment but also with Japanese work life in general, and the increasingly large amount of stress that comes with it. However, for working women, that stress is then multiplied by the justified fear that someone may at their workplace try and use the power they have over them to get whatever it is they want, with little in the way for recourse.

Thank you all for reading. If you would like to support The Aniwriter or are just feeling generous, consider donating on Ko-fi, or using one of my affiliate links down below.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Anime/Manga, This Week in Anime

This Week in Anime: Aggretsuko, Princess Mononoke, and More…

July 12, 2018 Jack Scheibelein 9 Comments

Hello again, friends!

Sorry I missed last week. I was planning on releasing it a day late after I had settled in from my trip to Anime Midwest. Btw, I went to Anime Midwest. I never actually made an update about that, so I apologize about that as well. Anyway, without further ado, your weekly dose of anime-related news.

New Anime

Here are the new announcements for this week.

Aggretsuko Receives Second Season

At a panel during Anime Expo 2018, Netflix announced that one of their more popular shows, Aggretsuko, will be receiving a second season. The announcement was made during their NETFLIX ANIME panel, where they also talked about the release date of Castlevania season 2. The show will be released sometime in 2019

Aggretsuko’s story follows an Anthropomorphic Red Panda named Retsuko, who works at a terrible desk job that she hates more than anything else. In order to get rid of her anger, she goes to Karaoke and sings Death Metal.

Netflix’s Ultraman Adaptation to be Released in 2019

Along Aggretsuko and others, the newest incarnation of a much older series Ultraman will be coming to Netflix next year. The show is based on the Manga by Eiichi Shimizu and Tomohiro Shimiguchi in 1967. A specific release date has not yet been confirmed, but it will be a worldwide release so there will be no delays.

Ultraman follows Shinjiro, a normal teen living his normal teen life when all of sudden he gets blessed with incredible powers. The “Ultraman Factor” as its called, awakens within him, and he must now use his powers to protect the earth.

Studio Trigger Becomes the First Studio to Use Patreon

This Week, Studio Trigger, creators of shows such as Kill La Kill and Little Witch Academia, has launched their very own Patreon. The Page already has over 2,500 supporters and the studio is now receiving over 8000 dollars a month. On the studio’s page, they say that Trigger “strives for a global audience and values communications with our fans.”

It is no secret that animation studios often have very little money to finance new projects so it would make sense to set up a Patreon page. As their page further describes, “With your support, we would like to forward funds into various aspect of the studio. Possibly a new line of merchandise, attending/conducting more events, or simply providing a little more to our staff.”

Many in the anime community, including prominent Anime YouTuber Digibro, argued that studios should move to a more people focused business model and rely more on services like Patreon.

Princess Mononoke to Return to Theatres for Select Screenings

As part of the 2018 Studio Ghibli Fest, one of the groups most famous works, Princess Mononoke, will be airing in theatres once again for a small period of time. Both GKIDS and Fathom Events will be sponsoring three dates on which the film will premiere: Sunday, July 22, 12:55 Local time, Monday, July 23, 7:00 Local time, and Wednesday, July 25, 7:00 Local Time.

Article Shoutouts

Here are so Articles you should definitely read.

A Better Anime Awards?!

Ayano of KawaiiPaperPandas is collaborating with Raistlin on a new project that has been tenuously named the WordPress Anime Awards. After much anger at the Crunchyroll Anime Awards last year, she and Raistlin decided that it was time to start their own.

Anime That Ruin Childhood Dreams

Scott of Mechanical Anime Reviews put out a list of series that on the surface look innocent, but are actually quite terrifying. Many series like this look like this because of the aesthetic quality of anime production, but that doesn’t mean they won’t be truly horrifying. A great list and an article you should definitely give a read.

What do you guys think of this week’s anime-related news? Let me know in the comments below. Also, if you want to support the Aniwriter through donations or are just feeling generous, consider buying me a coffee on Ko-Fi. Otherwise, thanks for reading and bye for now, Friendos!