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Toradora is Peak Fiction. No, Seriously.

Welcome, weebs, to Animated Observations

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The content meta online is so weird. It is like, did you click on this because of the title, the featured image? Idk, but since you’re here, how about I give you a much more nuanced take on Toradora than what I implied.

Even as weebs become further divided by fandom and sub-culture, I think one thing most of us can agree on is that we all have our comfort media. whether it be an anime, video game, manga, etc., there are always certain series that bring out a sense of either nostalgia or just straight happiness.

Though I would not necessarily call Toradora a comfort anime in that same sense, I have, for a while now, been finding myself happiest as an anime fan while revisiting some of these shows which I have a fond memory of. Toradora certainly invoked some warm feelings, but I had a hard time remembering why exactly that was, at least until now. While it feels difficult to point out a lot of what the show does exceptionally well, it is also is hard to find a lot of weak points.

For example, the series sits at a whopping 25 episodes, which may not seem like a lot given that others like Kimi no Todoke have stretched on for longer, but there are also tons that have dragged with lower episode counts. Yet, there is never a moment in Toradora feels that feels wasted. Character arcs are started and resolved in ways that, though might come off as shallow to some, resolve in a satisfying way.

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The main cast is a drama machine, by which I mean they are a series of interlocking parts which function together smoothly after being oiled by the first few episodes and the introduction of Kawashima. From there, goals become solidified, but the character’s relationships continue to be fluid.

The line that divides good romantic drama from bad or corny can often feel invisible. After all, who or what decides whether dialogue or character interactions feel natural or not largely depends on prior context and the progression of those characters. Still, very few moments if any throughout Toradora feel forced or unnatural given the events which happened before.

When the crew gets back from their beach house extravaganza at Kawashima’s and Taiga looks longingly at Ryuji before she dashes to catch up to him, it feels correct. The two spending time with each other as a way of helping the other get with their best friends naturally brings them closer together. There is never a moment when the two are supposed to fall in love, but between Taiga’s increasingly nonchalant attitude towards Kitamura, and Ryuji’s obvious jealously about the rest of his class wanting to see the two together, nothing has to be said.

Of course, one of the biggest hints the series gives about its romantic direction is the fact that Taiga gets rejected by Yusaku, and that Taiga herself rejected him a year prior, during their first year of high school. It is definitely within the opening episodes of the series which feel the most “high school romance,” and what I would probably call the weakest part of the series. There is a reason I started my re-watch last year and did not finish until this one.

Yet, I would be reluctant to say Toradora has a bad episode. Again, relative feelings of “cheese” are entirely subjective and often have a lot to do with what we consider embarrassing, but even that “cheese” has a purpose because it effectively sets up more powerful moments later on. The strangeness of Ryuji agreeing to secretly take photos of his best friend for Taiga is an act of kindness which shows how much he is willing to care for her.

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Another element worth touching on is the absence of parents in the lives of the main characters, a trope that occurs commonly in anime but in Toradora that serves a stronger purpose. For Ryuji, the absence of his father creates a need for self-reliance as well as a desire to take care of others, something that Taiga becomes the receiving end of. Taiga, meanwhile, has only her deadbeat dad, and as a result desires a normal life, one in which she can rely on someone instead of having to act tough.

What this ultimately creates is a series in which the two main characters are self-reliant. They are forced to rely on each other in order to get their initial love interests (Kitamura for Taiga and Kushieda for Ryuuji). However, it is this reliance on one another that ultimately makes them realize just how much they care for each other.

I could go on for a while, and indeed I probably will in a future post. There is so much about Toradora worth talking about. Still, I would like people to be able to read this post to its finish, so I will stop for now.


What is your opinion on Toradora? Let me know down in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special thanks as always to Jenn for supporting us on Patreon!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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The Observation Deck – Spider-Man: No Way Home

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(HUGE SPOILER WARNING AHEAD)

Normally I am not super prone to covering Marvel movies, as it’s not my primary focus nor my primary interest. However, I wanted to at least get out a few thoughts on the film so that I can at least say I posted something today. Anyone whose been on social media over the past week or so has probably seen all of the positive things people have said about it so far. As much as I would love to be a contrarian, in this case, I really cannot.

A Top 5 MCU Film

No Way Home will likely go down as one of the best MCU films of all time, and for good reason. There is, of course, the man himself, Tom Holland, who continues to be the best live-action iteration of Spider-Man to date. This is not to say that Andrew Garfield and Toby Mcquire, who reprise their roles in this film, are bad, just that Holland feels like the perfect mix of Peter Park and the superhero spider.

Speaking of, seeing the Spider-Men together on one screen was indeed a highlight of the film. Part of me wants to complain that they spent a little bit too much time reveling in the fact that all of them were in the same dimension, but given the arc of the film, it kind of makes sense. On top of that, seeing some of the most beloved Villains in Spider-Man also make a return only added to the hype.

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Dr. Strange: A Welcome Addition

Ever since the release of his self-titled film, Dr. Strange as a character has always been one of my favorite parts of live-action marvel. Everything from his backstory to his power and even his aesthetic oozes a certain level of cool which few other characters, outside of Spider-Man himself, have managed to top. Thus, I was happy to find out just a little while into the film, that he would end up playing a significant role.

And well, what a role it was. I am hyping it up a little too much maybe, as he spends a significant portion of the film trapped in his own magical dimension. Still, his presence can almost be boiled down to a level of “I told you so,” having to clean up a lot of the mess Peter Parker creates. In order to change the villains that so desperately want to kill some version of him, he has to give up not only his Aunt May but his very existence in the mind of his friends.

Now, given that Dr. Strange previously mentioned that he used the mind-erasing spell on people other than himself, it is unclear whether any of the other he or any of the other Avengers will actually remember him. Regardless, it will be interesting to see Spider-Man’s progression and whether or not he becomes an active part of it again.

Conclusion

Like I said, I do not have too many concrete thoughts on the film outside of repeating how amazing it is, but yeah it is amazing. Spider-Man: No Way Home is not only a great Spider-Man and MCU film, but arguably one of the best Superhero films, period.


How did you all feel about Spider-Man: No Way Home? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Initial Results: Komi Can’t Communicate

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Ok, so I already talked about Blue Period on Sunday, so I figured I might as well talk about the other seasonal series I have been watching: Komi Can’t Communicate. Another series that had a lot of manga hype and another series that I have been enjoying a lot for the most part. While, as of the writing of this post, there have only been about three episodes released, there is enough here to warrant talking about it. With that being said, let us get started.

Komi Can’t Communicate hilariously chronicles the unapproachable and yet incredibly loveable Komi, a girl whose social anxiety renders her unable to speak to people in person. Tadano has managed to find himself in the same school as Komi, although given his self-described “average” qualities, feels a bit out of place alongside his…unusual classmates. One day, he begins talking to Komi through a chalkboard, and the two ultimately become friends. Now, Tadano is on a mission to help Komi open up to others and make 100 friends.

Though it was not represented a ton in public discourse, and the comparison has yet to land, I have seen a few people putting this series next to the likes of Nagatoro, Uzaki, and others as “bait,” and while I can understand this comparison on a surface level, I do not necessarily agree. Whereas the main characters in those series feel designed and written to initiate outrage among certain groups, Komi does not really give me the same vibe. Rather than being an outward, almost obnoxiously energetic character, she feels very much like the opposite, subdued by her anxiety and overall reserved. This is not to say it would be impossible to write a “bait” character in that mold, only that the character of Komi and the story being told feels more genuine.

The show also is not as outwardly sexual as those series, at least not at Komi or Tadano’s expense. The most sexual character so far is probably Agari and at the very least it is out of a genuine attraction to Komi rather than just “lol fanservice.” Granted, this could change later on, but the sense I get overall from Komi Can’t Communicate is a desire to have a conversation about social anxiety through comedy. Whether the series will ultimately succeed in that goal has yet to be seen, but, at least for now, it is not doing a terrible job.

Tadano, on the other hand, is, well…ok. He’s not an outright horrible character, but currently, he feels much more like a lens through which to view Komi rather than a distinct character of his own. In many scenarios, he is relegated to the butt of some admittedly pretty funny jokes, but not much else. That is not to say he does not have potential, however. Clearly there is a storyline to be told between himself and Komi, and while his character design feels fairly bland, I would like to know the motivation behind that flower shape on his head.

Overall, while I am less excited about Komi Can’t Communicate than some other series I have been watching recently, there is still plenty of potential, and though I might not necessarily be able to convince people who have written it off as “bait,” I would still encourage everyone to give it a shot.


How do you all feel about Komi Can’t Communicate? Let me know in the comments below

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Quadeca, “From Me to You,” and the Internet

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I do not often talk about music on this blog because I rarely have opinions strong enough to justify writing a whole article about them. However, this is without a doubt of of my favorite projects of the last year, which is strange because I definitely would not consider Quadeca to be one of my favorite artists. Still there is a lot to talk about when it comes to “From Me to You,” which is why I thought it was worth taking another post to explore. In particular, I want to take a bit of time to talk about the storyline of the album and some of the implications of its subject matter.

The story of course starts with the track “Sisyphus,” named after a Greek god who was cursed to push a boulder up a mountain only to have it fall over and over again. The track mainly concerns itself with Quadeca’s internal monologue, with the story of Sisyphus being used as a metaphor for his relationship with his own success and self-growth. Try as he might, the fear of getting to the top of that mountain, only to fall back down and have it start all over is a scary prospect.

While Quadeca, or at least the character that he plays in the album, is not the only one in this story. There is, of course, another, indicated in the chorus: “You’ve got a mountain of your own,” and throughout the rest of the album. So, who exactly is this “you?” Well, at first glance it might feel reasonable to answer that question with some variant of romantic partner, and to an extent, that is right. In the song “Shades of Us” he does mention that “[he] just wants love,” but also says that its “outside my reach, always inside my aim.” This would rather imply that he is currently single, so at best this might be addressing some future relationship.

Instead, the “you” here feels a lot more literal, as though he is addressing the audience directly. Quadeca appears to be telling both the story of his experience with internet fame, as well as reflecting on the creation of the album itself, both of which have come with their ups and downs.

This becomes much more apparent on the song “Smiling at the Ground,” in which he raps about a crazy fan who would rather see him break up with a potential girlfriend as opposed to being genuinely happy, as well as the music labels which resent him for staying independent. These things are so stressful that he “searches his fake name” only to be relieved when neither of them appear together with it. The following track “Can’t You See” also speaks to this idea as well, where Quadeca equates this Sisyphean journey to being “lost in the fog,” and that it is both “hard to stay, hard to stay gone,” again repeating the idea that his situation is very much damned if you do, damned if you don’t.

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While it is fair to say that most artists and/or people who create things, especially on the internet, hope for some level of success, it does not necessarily mean they want all of that attention at once, or even really at all. The process of virality, in which a person can become famous overnight, is an area that feels like it has been overlooked in cultural discussion. Having thousands or even hundreds of thousands of new eyes on you, as well as a mountain of new expectations can be incredibly nerve wracking. Even now that Quadeca has an established fanbase who probably will not abandon him, the fear alone can make an album that was supposed to come out in 2020 take a whole extra year.

Another major theme of the album is the idea of balancing work and the rest of one’s life. This theme comes to a head much later in the album on the three tracks “Burnin Bridges/Long Day,” “Work!” and “People Pleaser.” Each of these tracks aims to address a different aspect of Quadeca’s relationship with his work and how it has affected his other relationships.

“Burnin Bridges/Long Day” sees him playing the part of “the villain,” but also directly states how he’s “burning all [his] fuckin bridges til there’s nothin left,” and that he “trusts no one but myself, the only one that hasn’t fuckin left.” In other words, from his perspective, Quadeca is taking people out of his life who never really cared for him anyway. While this is a pretty common sentiment across rap as a genre, it feels even more important here given how the internal monologue established in earlier songs has made it clear just how much he doubts himself.

“Work,” in contrast, sees Quadeca satirizing the unhealthy relationship with work that many have come to understand as grind culture, or the idea that one should always be focused monetary or social gains, even at the expense of interpersonal relationships. Though it may not seem like it, the exaggerated lyrics as well as the fax machine noise which slowly ingrains and distorts itself into the beat make it fairly obvious. Some of the best lines, in this regard, are when he talks about “only loving you from like 3:15 to 5 PM,” as well as having “like twenty-five Red Bulls still tryna find them wings, like a blind Rick Ross.”

It becomes even more apparent when beat comes to a halt, and Quadeca talks about how “[his] mind got carpal tunnel” and that “[he] wants it all to double, even the stress, even the mess, even the largest struggle.” In this final verse, he point out how those who have bought into this grind mentality put themselves through all of this work, in part at least, so that they can where it as a badge of honor around others. The song “People Pleaser” serves almost as a prequel, describing how Quadeca’s innate need for validation from others got him into the cycle he is in, with the ever increasing quantities of money he manages to acquire never being enough for this “you.” The line “feelin’ like its eight-bit, lookin like its IMAX” also helps to reinforce the idea that, while his life on the outside looks great, self-doubt is still very much central to his problems.

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All of this comes to a pinnacle, almost literally, on the song “Summit Pt. 1” in which the major themes get reinforced. Despite how much progress has been made, both in Quadeca as a person and on the album itself, he still does not believe he has made it particularly far, evidenced by the refrain “And I’ve been lookin’ at the summit. They say we’re halfway there, I think we’re halfway from it.” Still, it would be unfair to say that he has made no progress at all, as it he also says that “me and my boulder grew a bond,” implying that, despite still not being confident, he has managed to get something of a handle on these mental burdens.

Additionally, the question of who exactly “you” is becomes an issue again, because although earlier in the album Quadeca implied a lack of romantic relationship, the song “Its All a Game” does seem to present a major romantic interest. Still, interpreting the “you” as still talking directly to the audience makes a lot of sense. When he says “I swallowed it, thank god that it was you that shared the key” in reference to the previous interlude, Quadeca seems to be saying that if there was anyone who he was going to share his most vulnerable self too, he would rather it be an audience that has expectations of him rather than random strangers.

The journey is still not going to end, both as an artist and as a person, until he meets his. In a way, acknowledging that “we’re halfway from it” is saying that not just he, but everyone has yet to reach their full potential, and although everyone might have a mountain to climb and a bolder to climb with it, seeing what is at the top might just be worth it.


There is a lot more about this album that I can and probably will talk about, from the incredibly constructing bars and ryhme schemes, as well as the amazing production. Still, if I did try and talk about it all in one post this would probably end up being a 20 minute read, and as someone with an incredibly small attention span myself, I do not want to do that to other people. So, have you heard “From Me to You?” What do you think of it? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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My Top 10 Favorite Anime (As of August 2021)

Welcome, weebs, to Animated Observations

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Well, It certainly has been a while since I made this list, about three years to be exact. Sometimes it can feel a bit pointless to try and nail down favorites because tastes are constantly changing, but I have watched a few series lately that I feel strongly about, and thus I thought it would be fun time to remake this list and share it with all of you. With that being said, let us get started.


10. Terror in Resonance

Honestly, I thought out of all the shows on my previous list, “Terror in Resonance” would have not made it on still, and yet, through hours of internal debate, it still managed to find a spot. I would say that its one thing in particular that keeps me thinking about it, but that would lie. From the gorgeous animation produced by then up and coming studio MAPPA to the gorgeous Icelandic vocal filled soundtrack, this show has so much. As time has gone on, my sympathies for the series’ political messages have also gone up significantly. While “Terror in Resonance” might have just barely made the list, do not take that to mean I think it is bad, because that is far from the truth.

9. Fire Force

Speaking of shows that I did not think would be on this list. Although, what can I say, it grew on me. “Fire Force” may have some serious problems when it comes to its female characters, which I will definitely continue to talk about, but it also just has a really cool premise that it executes on fairly well. Couple that with the fact that the series was created by the original author of “Soul Eater,” and thus has some fairly similar character designs, and yeah I am on board. It may have taken me a bit more time to fully get into it, but it has certainly earned its place on this list.

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8. Robotics;Notes

Oh, look, its the anime that got me somewhat interested in mecha. Not sure how Scott will feel about that, but it is true. Without “Robotics;Notes,” “Gurren Lagann” probably would have ended up as the extent of my mecha experience. However, this show is also just good on its own merits. The character-driven, sci-fi mystery plotline has twists and turns at virtually every stage of its progression, as well as boasting one of the most interesting fictionally diseases in the form of Cat and Mouse Syndrome. I have wanted to revisit this series for a while now, and since I now own the “Robotics;Notes” visual novel, I may just do so…

(This is totally a hint that you should follow me on twitch ;))

7. No Game No Life

Look, I get it, the show is a bit problematic in its depiction of Sora and Shiro’s relationship. Ngl, kinda cringe. However, for those who are willing to look past this, there is a lot to like about “No Game No Life.” Not only did Madhouse do a great job animating the entire series, from the games to conversations between characters, the color palate for this show looks gorgeous, though I am incredibly biased because purple. On top of that, there are some intriguing ideas when it comes to the series’ message and philosophy. For those who are fans of Isekai stories and have somehow not come across “No Game No Life,” this is a much watch.

6. A Place Further Than the Universe

Oh boy. I can count of two hands the number of series that have made me cry, and “A Place Further Than the Universe” happens to be one of them. What is even crazier is that, it does not use any incredibly sappy set up to try and pull at your heart strings immediately. Rather, it just tells the story of a girl who really wants to follow in her mother’s foot steps, and three others who are along for the ride. They share the adventure of a lifetime going to Antarctica and…well, not to spoil too much, but it is certainly an experience.

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5. Log Horizon

Alright, so I have a confession to make. I have yet to watch the third seasons for both of the next two series. I know, I know, it feels a bit weird to still have them on here without having technically watched all of them. In my defense though, the first two season of “Log Horizon” are just good enough on their own. Drama, politics, worldbuilding: “Log Horizon” has it all, and then some. It may not be the best looking show ever, but when its got one of the best hype anthems ever written by Man on a Mission fronting every episode, it does not have to be. I said before that Isekai fans should have “No Game No Life” on their to watch list, and that goes more-so for this series.

4. Oregairu

Truth be told, the only reason I did not end up watching the third season for “Oregairu” is because me and my friend got a little too intoxicated while we were re-watching the first two and, well, let us just say it got messy. Regardless, like with “Log Horizon,” “Oregairu” could be carried by its first two seasons. I am still a little bit salty about the change in art style after season one, but honestly, given how good the show is, that is a minor complaint. There really is not too much else to say for this one other than it is a fantastic slice of life comedy that is certainly worth anyone’s time.

3. Golden Time

What can be said about “Golden Time” that is not already buried in my 1000 word video script on the series (I meant to put out the video a long ass time ago I just kept forgetting to record and edit.) Romance in anime has felt one note for a pretty long time, outside of some recent exceptions like “Horimiya.” However, the romance in “Golden Time” is dynamic and feels real. While it may have a fantastical element as it core premise, it is believable because all of its characters, including the main character, develop relationships that mean something. In show’s best moments, there is a deep sense of investment in the lives of the people on screen, and to think, it all started with a dude getting slapped with a rose bouquet.

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2. Princess Jellyfish

The hardest part about making this list was not writing these blurbs, but rather deciding who would get second and third between the last two entries. In fact, it probably took me at least an hour going back and forth in my head to make a decision. While “Golden Time” is without a doubt great, I only really felt its impact all at once, at the end, when I could barely contain my tears. “Princess Jellyfish,” on the other hand, was different. It hit in waves, as if at the end I was not able to fully process what I had even just watched. After sitting with the series for a few days, I can be assured in the assessment that “Princess Jellyfish” is a remarkable series.

1. March Comes in Like a Lion


As remarkable as “Princess Jellyfish,” It was unlikely that the series that helped me in one of the darkest periods of my life was ever going to get dethroned. “March Comes in Like a Lion” lacks in no category, and while the subject matter may seem a bit inaccessible, shogi is simply a means to a storytelling-end. Rei, and later on Hina, are two of the most complex characters in all of anime, and their arcs are some of the best storytelling I have ever seen. Couple that with studio shaft’s unique, occasionally minimalist art style and you get a series frankly deserves a lot more recognition than it currently gets.


What are some of your favorite series? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Is From the New World Still Good?

Welcome, weebs, to Animated Observations

My next video is done! In this one, I focus on the series that the #anitwitwatches crew most recently got into, which is “From the New World.” It is a 2012 series produced by A-1 pictures which focuses on a dystopian world in which humans have gained god-like powers. I had some reservations when I first started watching it again, but ultimately came out of the experience with an affirmation in my appreciation of the series.

If you want to see any of the live tweet thread I did while watching the show, you can check that out below.


How do you all feel about “From the New World?” Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Almost-Final Thoughts: Wonder Egg Priority

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There are a lot of shows where it feels fairly easy to parse out what exactly is going to happen. With slice of life shows, usually the character goes through some internal change that informs that they act moving forward. For romance, at least most of them, the main characters never actually end up together, or hold hands for the first time, but make no actual romantic progress. Shounen heroes usually end up saving the day, and inevitably set up for the next arc. “Wonder Egg Priority” is a different beast entirely.

Like, yeah, there was always going to be tragedy of some sort, some dark secret yet to be revealed, but this…this was not expected at all. I say that 100% in seriousness, cause the anime original nature of the show meant that even the manga readers couldn’t ruin it for everyone this time. Now, it is worth noting that the show is not technically over. It has already been announced that, in a little under a month, a special episode serving as the conclusion will air. There have not been any teasers about its lengths or content, at least as far as I’m aware, but that could always change. So, with that being said, here are my *almost* final thoughts on “Wonder Egg Priority.”

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Wow, What a Story

I think it is fair to say that a lot of us make assumptions based on the generally jovial nature of a lot of anime. For example, Shounen anime is known for having a lot of moments where it looks like the main character is about to lose, but then suddenly finds a power within them that grants the ability to win a given fight. As for “Wonder Egg Priority,” a lot of those assumptions get thrown out the window.

Ok, well, maybe that is not entirely fair. It does still stick to convention in a lot of areas. The way it focuses on younger girls and their journey towards fulfilling a particular wish they have after completing a given mission is fairly reminiscent of a lot of other magical girl shows. However, where it does differ it its storytelling is in its focus on the specific experiences of younger girls.

“Wonder Egg Priority,” in this respect, chooses to focus on phenomena of teenage suicide, and specifically the things that drive younger girls to do this. Through the four main characters, it covers topics such as bullying, body shaming, gender and sexual identity, and sexual assault. While there are probably some blind spots as far as nuance goes, it does feel as though the show engages in these discussions fairly honestly and with a level of detail that definitely exceeds a lot of other shows.

Again, this is not to say that shows like “Madoka Magica” haven’t covered and engaged with these ideas before, but it is to say that the level of specificity, as well as the modern understanding of these issues, makes its stand out from its peers.

That Animation Though?!

Now, don’t misunderstand when I say this, because, after all, studio CloverWorks has absolutely had their moments when it comes to animation. “The Promised Neverland” looked amazing throughout its first season, and their were even some moments of standout moments in “Bunny Girl Senpai.” Hell, you could even argue that the final season of “Fairy Tail” was much better off because of their inclusion. However, when it comes to animation, they are not exactly the first studio I think of.

That being said, “Wonder Egg Priority” is probably some of their best work as far as animation goes. First, all of the characters have a unique and memorable design, even the characters that feel less important. This is true almost to the point that I feel comfortable saying that, if I did not engage with the series whatsoever for an extended period of time, and then came back I would probably remember just about every single character.

Second, the color palette for the show is absolutely incredible. One of the things that was initially very striking is how each of the characters have a unique world when they go to save a girl from an egg, one that reflects their personality and fears. Each of these worlds is drawn with almost an entirely different set of colors, AI’s being very drab and monochromatic in a way, and Neiru’s being a combination of reds and grays. Lastly, the fights that happen over the course of the show are awesome. Not only are each of the monsters uniquely designed, but the animation itself becomes very fast-paced and exciting.

I do have to take off a couple of points for the re-cap episode, however. It is understandable that production would have a lot of problems because of COVID, and so a certain level of time saving was probably necessary to even finish the series in the first place. However, having a re-cap episode in a one-cour series is just inexcusable. Not only does it feel incredibly lazy, it throws off the pace of the show right before the final third.

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The End

As I alluded to earlier, the ending…well, it happened. There is a lot I could say about it, but at the end of the day, the most fair criticism is that it just does not make sense. The pacing of the series at the beginning made it feel as though it was gearing up for a full 24-26 episodes with multiple arcs and resolutions. However, by the final third of the series, it feels as though all direction was just thrown out the window and the writers were just scrounging for a way to finish the series in a reasonable-ish manner.

Neiru’s story feels like the biggest loser in this. The show spends time building up her character as the odd-girl out of the group, slowly but surely building up this horrible relationship she had with her sister. Then, it just completely forgets about that narrative in order introduce this friend that has apparently been in a coma, and now suddenly she has the ability to travel across different dimensions, and also alternate dimensions are a thing?

If the one episode we are getting in June is supposed to be the true ending to the series, then I think it is safe to say that there will not be a satisfying ending to this series. Honestly, it does not even feel like another whole season would be enough to fix the problems the show has at this point. I stand by my initial impressions of the show that, based on the first few episodes, this series absolutely was a contender for anime of the year. However, what was once a promising new series with a noticeably different perspective turned out to be a middling and frankly confusing mess.

Conclusion

“Wonder Egg Priority” had a lot of promise, and I mean a lot. The first episode almost felt like a fever dream in just how expressive it was, both in its storytelling and animation. However, based on what it became, I do not know if I can, in good conscious, recommend this show without the caveat of expecting disappointment.


How do you all feel about “Wonder Egg Priority?” Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Hosting The Jon’s Creator Showcase for May 2021 #TheJCS

Welcome, weebs, to Animated Observations

So yeah, I was pretty quiet for most of April, I apologize to everyone that was expecting stuff from me. School has been kind of a pain for me mentally the last couple weeks. But, with that soon being out of the way, Its time to announce that I will be hosting #TheJCS for the Month of May 2021!

Since this is my first time hosting the event, there are probably quite a few people reading who are unfamiliar. The Jon Creator Showcase, or #TheJCS, is a event held once a month where creators of all kinds and sizes are invited to submit things they have worked on in the previous month. This can be blog posts, videos, podcast, or whatever else you feel like submitting. While I do mainly cover anime and gaming here, these posts can be about basically whatever, so feel free to share what you care about the most. Hence, since this month is May, I’ll be asking for your creative endeavors from the month of April. The host of last month’s #TheJCS was Crimson of A Nerdy Fujo Cries, so please give their post a look as well.

As for submissions, The primary and preferred method is going to be Twitter. I will link the original tweet below, when submitting please use #TheJCS and tag me @JScheibelein. Additionally, when you submit this way, be sure to tag three other creators so that we can keep the chain going and get as many people as possible in on the action, and have them do the same. This will simplify the process on my end and guarantee that I see all of the submissions. If, however, you do not have a Twitter and would still like to participate, please email me using the Animated Observations email: theaniwriter@gmail.com.

I will be taking submissions all the way until the end of May 30th so that everyone has time to figure out what they would like to submit. I was originally going to keep submissions to just one per person. However, I noticed Crimson modified hers to include extra space for posts about “Jujutsu Kaisen.” To celebrate my first time hosting, and because I’m a shill for my favorite anime, I’ll allow two submissions provided that one of them focuses primarily on “March Comes in Like a Lion.”

For any other questions you might have, feel free to reach out to either me or Jon Spencer via social media or email. With that being said, I cannot wait to see all of your wonderful submissions!


Are you planning on joining #TheJCS? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

First Impressions: Kuroko no Basket

Welcome, weebs, to Animated Observations

Ever since the third season of “Haikyuu” began airing a couple of weeks ago, my craving for sports anime has been in full effect. While thinking the fact that the show is airing weekly and I have to wait for new episodes each week, I happened to remember the other really popular sports anime made by Production I.G., and, well, here I am, my first impressions after five episodes.

For those unaware, “Kuroko no Basket” tells the story of two high school basketball players. Taiga, who spent his middle school years living in the United States, joins the basketball team at Seirin High School. There, he meets with Kuroko, who is revealed to be a phantom sixth member of a famous middle school group known as the “Generation of Miracles.” The two of them vow to help each other become the best.

Part of the reason I brought up “Haikyuu” before is because both it and “Kuroko no Basket” have a lot more in common than just their production studio. Both of them feature a main character pair that have not only a deep-seeded rivalry, but also awesome teamwork that can rival even the best, and eventually does. Alongside the main characters in both series is also the quirky cast of side characters who become much more important as the series goes on.

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Still, none of this is to say that “Kuroko” is worse than “Haikyuu.” Another quality they share is there, well, quality. Right off the bat “Kuroko no Basket” makes its characters interesting and memorable. In the first episode, after challenging and losing to Taiga in a game of basketball, Kuroko tells him that he is a shadow. As is shown later in the episode, this is a reference to Kuroko’s talent for weaving around players and passing on the court.

The animation is also incredibly on point. Already the scenes with games look incredibly stylized. One part that really stands out is the animation for the scenes where Taiga and Kuroko are passing between each other and going in for points.

The show is also pretty good musically. On top of the adrenaline pumping soundtrack, the show was also blessed with a great opening song from GRANDRODEO, a band whose fast, electro rock style makes a great fit for any sports or action intensive anime.

One thing that I do worry about moving forward is the side characters. Although the show has not given any indication of this, there is always the possibility that it will ignore its supporting cast in favor of a sole focus on Taiga and Kuroko, which would leave the series feeling a bit one dimensional, especially for a sports anime. Still, that is mainly just nitpicking at this point.

Overall, I find myself pretty invested in “Kuroko no Basket” already. It has a great set up, a long with a great studio behind it, and considering how good “Haikyuu” has also been, I would not be surprised to see the series rise to that level. Definitely worth giving a watch.


How do you all feel about “Kuroko no Basket?” Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!