Tag Archives: Kaguya-Sama: Love is War

My Brief Thoughts on the 2023 Crunchyroll Anime Awards

March 5, 2023 Jack Scheibelein 2 Comments

Welcome, weebs, to Animated Observations

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Whether bringing together people in community or mockery, the Crunchyroll Anime Awards have been a pillar of the community since their inception back in 2016. The now infamous award show often has some…controversial takes in their various categories. These often involve a very obviously popular show winning big swaths of categories without much rhyme or reason.

Of course, this is particular problem is not unique to the anime awards. The same can be said of the Oscars, Grammys, as well as various other awards shows. This is because many of these show thrive off of big ad campaigns and sometimes even direct donations to judges. Thus, the integrity of award shows has always been a bit of a mute point. Still, it is fun to look and see where the majority opinion for X group has landed, So, here are some of my takes on the Crunchyroll Anime Awards.

The Triforce of Anime Awards

I mentioned above that Crunchyroll Awards tend to get dominated by a few shows, and this year was no exception. Attack on Titan, Spy x Family, and Demon Slayer‘s second season dominated the categories and brought home the vast majority of awards. Jujutsu Kaisen, along with a few other scattered series, took the remaining spots.

Normally this would be the part where I talk about how undeserved most of these wins are, except…well, here’s the thing. First, I do not have the technical knowledge to say for sure whether or not the big winners actually deserved their wins or not. Second, I actually do think they deserve a good amount of representation. Attack on Titan and Spy x Family were genuinely good, and season two of Demon Slayer was fairly well received.

Cyberpunk Edgerunners Deserves Anime of the Year

2022 was an insane year for anime, and will likely go down among the best in term of high quality. Unfortunately, some of the bigger contenders from fall, primarily Chainsaw Man and Bocchi the Rock, were left out of the running due to the award’s strange rule change. Still, even out of the remaining series, there are a lot of greatness. However, despite that fact, Cyberpunk Edgerunners still feels like an appropriate choice

Not only is the series incredibly produced, from the animation and direction to the wonderful sounding soundtrack, it is a show that feels incredibly relevant in its story and messaging. David Martinez is ultimately forced down a bath of no return because his environment left him with no other choice, detailing a capitalist hellscape that seems less fantasy and more reality with each passing day. So yeah, for my money, it feels like a good pick.

Kaguya-sama Where?

As a totally unbiased and reasonable commentator-

No, but seriously, aside from my own personal enjoyment of the series, Kaguya always seemed like the type of show that other critics and judges would eat up. After all, despite being a rom-com, it has the more cerebral elements that make people feel smart when they get the joke, and manages to balance that with some genuinely down to earth and relatable characters. Yet, it only won in the romance category.

Part of this, I think, comes from the noticeable absence of previous categories like Best Boy/Girl, which felt more biased towards those cuter, more relatable characters which rom-coms, and Kaguya-sama especially, do really well. Looking at the categories for this year, I could see it having won the Japanese voice performances had it been nominated, but realistically, outside of that, not much else. Well, that and Best Comedy, but honestly Spy X Family does legit deserve that one as well, so I cannot really be mad.

How did you all feel about the Crunchyroll Anime Awards? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

As always, special thanks to Jenn for the support on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

The Observation Deck: Kaguya-Sama Love is War – The First Kiss That Never Ends

February 19, 2023 Jack Scheibelein Leave a comment

Welcome, weebs, to Animated Observations

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(Minor spoilers ahead)

I have talked a lot about Love is War over the past couple of years, and for good reason. The show has only gotten better with time and additional seasons, further developing its characters into some of the most compelling in all of the medium. Additionally, it does so while basing its entire premise around the conceit of not wanting to confess first out of fear of being seen as weak, which itself is born out of the implicit relationships people have based on socioeconomic status and perceived importance.

Thus, with a sequel movie getting announced after the end of an already incredible third season, there was going to be a lot more to talk about. Expectations, my own included, were pretty high considering what had transpired previously. Now, after having watched the film in the company of a friend of mine, I would have to say this movie was terrible, just awful, a total departure from-

Of course not, Kaguya-sama: Love is War – The First Kiss That Never Ends is one of the best anime films in recent memory. Anything it could have done right it did and manages to navigate both the comedic elements as well as the more genuinely tragic moments with the same level of gravitas.

The Narrative Setup

Japanese Christmas, not having the same sorts of religious connotations for most people as it does here in the west, tends to be a more romantic holiday like Valentine’s day (hence the marketing and release schedule). Anyone who has watched an anime with any sort of romantic plot or even just a subplot has probably figured this out already. Thus, it makes a perfect setup given Shirogane and Kaguya’s kiss at the end of season three. The race against the clock set-up also gives them a perfect window in which to create snappy, comedically effective bits as well as build on previous jokes such as Kaguya’s internal courtroom and various personas.

The two of them clearly want to be together. The problem, and what makes this film so brilliant, is that rather than fighting each other, the two spend most of it fighting themselves. Both Kaguya and Shirogane still have a strong sense of pride, one that will not let themselves be vulnerable around another person. This is especially true in Shirogane’s case, to the point that he ends up collapsing due to sleep deprivation. That strong sense of tension helps to propel the movie forward through its fairly accelerated pace.

Though the film was most obviously going to focus on the two leads, Ishigami’s love for Tsubame felt like one of the more important plotlines of the last season, and the show seemed to imply it was going to get resolved in this film as well. However, the parts of their story that are adapted feel a bit thin, getting a fairly suggestive couple of seconds at the end followed by Tsubame going to a psychic for advice. It was not bad, per se, but lacked the same kind of satisfying resolution that Kaguya and Shirogane ended up with.

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Did Someone Say Comedy?

Yeah, I did.

Kaguya-sama has always been known for its fairly ludicrous gag comedy and visual bits, but the animators and editors really turned it up to eleven for this film. The first half is slathered in some of the most out-of-pocket, unhinged humor in the whole series. Hell, the first 20 seconds include Ishigami reading softcore porn and while talking about how publishers skirt obscenity laws by only including four pages of suggestive material, and it really only gets better from there.

The latter half, meanwhile, slows down a bit, switching between comedy and tragic backstory. However, despite doing so fairly often, the weight of the situation is never compromised, because at this point in the series, it is understood how awkward and corny both Kaguya and Shirogane can be. In fact, wearing various masks such as the ones featured in season three’s climax becomes the main visual metaphor for how the two have had to hide their true selves from the world and each other.

Granted, the film is not exactly treading new thematic ground when it comes to this subject. Plenty of media in the past has played with the idea of having to hide one’s true self (Persona 5 comes to mind, primarily because of the way he shouts “persona!” halfway through while transitioning through backstory). Still, The First Kiss That Never Ends brings a sense of freshness to the topic that is uniquely its own.

Experimental Visuals

Ok, maybe “experimental” is not the right word. Still, it is hard to deny, just how much trippy-ass stuff happens in blink-or-you-miss-it moments. One moment that sticks out, in particular, happens during a flashback about Kaguya, where she blankly stares forward into the camera, with black nothingness rotating through her eyes. She does as she is being taught by someone who is presumably a private tutor bought by her family, someone who is also revealed to be just as abusive as the other Shinomiyas. It was genuinely very creepy and out of left field in a way that contributed to the tragedy of her situation.

Additionally, the show also has shot composition and timing down to a science, not just when it comes to comedy, but especially for its more serious moments. The film does a great job of creating further tension by focusing on just a frame or two over the span of a few seconds. Again, not exactly new, but utilized in combination with a distinctive soundtrack and characters’ trademark expressions to ride the fine line between comedic and serious nearly perfectly.

Although, at this point, experimental could be considered standard when it comes to Kaguya-sama, and Bocchi was arguably doing way more experimental stuff for scenes that had way fewer stakes.

Conclusion

I could go on about just how amazing this film is, and depending on my boredom after finishing this review I might, but rather than overexplaining jokes that someone else could probably do a better job of anyway, I will simply say go watch the movie. It absolutely earns every single one of its 96 minutes down to the credits scene. Kaguya-sama fans will not be disappointed.

94/100

How do you all feel about Kaguya-sama: Love is War – The First Kiss That Never Ends? Let me know in the comments.

As always, special thanks to Jenn for supporting the blog on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga

Mini-Manga Haul: My Solo Exchange Diary, Kaguya-Sama, and More…

July 6, 2022 Jack Scheibelein 2 Comments

Welcome, weebs, to Animated Observations

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As many of those reading could probably tell based on the content I put out, I am not a huge manga reader. It is only recently that I have found myself consistently reading something as opposed to just throwing on some anime or YouTube. One would think it would be a bigger part of my media diet, but no, not really. However, call it a new year’s resolution or whatever, but I wanted to diversify my reading portfolio a bit more.

As it so happens, the Books-a-Million near my house was having a summer sale on manga, so I decided to treat myself a bit and pick out some volumes. Most of it is first volumes, some for newer series, and some for series that have been out for a while, but since I am currently out of school still, I have plenty of time to read and figure out what to continue or not.

Crazy Food Truck by Rokurou Ogaki – Vol. 1

I actually read about this one on the always amazing Mechanical Anime Reviews from fellow blogger Scott, and well, based on the plot description, it certainly earns its title. Gordon runs a normal desert wasteland food truck until one day a girl named Arisa shows up. She has a big appetite and an even bigger problem: an armed militia who is hunting her down.

My impression of this manga is that it is going to be in a similar vein to series like Spice and Wolf or Girls Last Tour, where the focus is half the adventure and half the inward reflections of the characters. If that ends up being the case, this is going to be a series that I both love and hate. Love in the sense that it will be really good, and hate in the sense that it is new and only the first volume is available right now.

Uzumaki by Junji Ito – Vol. 1-3

If I have not said it before, horror is not really my go-to genre. This is not because I think horror as a genre is bad, but because I tend to have a pretty weak constitution when it comes to being scared. Still, even out of context, Junji Ito’s art is horrifying in a way that feels incredibly detailed. The story of Uzumaki is one about a cursed town and the residents who try desperately to fight back.

While I have heard people call this one of his best works, I have also heard that it is one of the better entry points into Ito’s works as a whole. Either way, I’m excited to see where Uzumaki takes me. Hopefully not to another dimension, lol.

X-Gender by Asuka Miyazaki – Vol. 1

This is by far the series I know the least about, which is why I felt a bit more drawn to it than usual. For those who are unaware, X-gender is an identity that exists in a similar space to non-binary (though there are probably some cultural differences which I am not aware of atm).

The manga is also apparently autobiographically, describing the life of Asuka Miyazaki as they make a discovery in their early 30s: being attracted to women. As someone who has only been out for less than a year, I was curious to see how their story would unfold. Also, the art style just looks really cute, so there is that.

My Solo Exchange Diary – Vol. 1-2

So…no one was gonna tell me that My Lesbian Experience with Loneliness, has a sequel? Wow…

In all seriousness, though, I had no idea that this even existed. When I saw it in the store, my eyes automatically blinked because I thought there was something wrong. The original one-shot was one of my favorite things I read that year, most of which was not manga.

The series is supposedly a direct continuation of the original, with it also being autobiographical, and detailing events that have happened since the success of her original work. Even as I am writing this post, my head is just kind of filled with the thought of being able to read more from one of the most expressive and personal authors that I have read to date.

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Burn the Witch by Tite Kubo – Vol. 1

While I certainly would not call myself a Kubo fan, Bleach was my favorite out of the big three, and his sense of aesthetic is really solid. Burn the Witch is apparently set in the same universe as Bleach and follows two witches who are working for a branch of the soul society in London.

I honestly do not know how much else I can say about the series without spoiling anything for myself. My expectations are pretty low, but hopefully, Kubo can make me presently surprised.

Orient by Shinobu Ohtaka – Vol. 1

Continuing the list of series that I have little to no expectations for…

Orient only breached my radar recently because of its anime adaptation. However, most people who watched it seemed to agree that it was pretty bad. Ohtaka did create one of my favorite series in Magi: The Labrinth of Magic, though, so I am certainly willing to give it a try. The story revolves around a society in which demons rule and the samurai that fight them have been outlawed. However, young Musashi has been blessed with a special power that might give humanity a fighting chance.

Not going to mince words, compared to the charm and diversity that made up Magi’s universe, Orient sounds pretty ordinary. This is not to say it cannot be good, but I also will not be surprised if this is a series I end up dropping pretty quickly.

I Hear the Sunspot by Yuki Fumino – Vol. 1

This is another series that came to my attention through another blogger whose original post I, unfortunately, cannot seem to find, but which was also featured in this post on Anime Feminist. The story follows Kohei, a college student who is going deaf, and Taichi, also a college student who offers to take notes in exchange for lunch. As the two grow closer, their relationship begins to change, and questions about the future seem to arise.

On top of being one of the more well-regarded queer romance stories of the past few years, the title also drew me in, as the prospect of hearing a sunspot draws such a strange visual in my head.

Kaguya-Sama: Love is War by Aka Akasaka – Vol. 1

At this point, what is there to say about the series that has not been already? The anime’s first two seasons were both fantastic, and it hit a new stride in season three with its well-executed visual comedy and storytelling.

The anime for me is an easy 85-90+/100, but my experience with the manga is non-existent. It could be better, but it could also be significantly worse. I suppose only time and actually reading the thing will tell.

What manga have you picked up recently? What are you most excited to read? Least excited? Let me know in the comments.

As always, a special shout out to Jenn for supporting the blog on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

The Observation Deck: Kaguya-sama Love is War: Ultra Romantic

June 26, 2022 Jack Scheibelein 1 Comment

Welcome, weebs, to Animated Observations

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The end of another season of course means the end of another block of anime. However, this season feels a bit different, and a lot of that can be attributed to the series I am talking about today, Kaguya-sama. I have admitted in the past to not being the warmest on the show when it first came out. In fact, it felt kind of gimmicky. At least, that is how it was at first.

Not only did the series only get more and more entertaining, but the amount of longevity and growth it has had over its now three seasons is also one of the most impressive I have seen from a show in a while. Any hesitancy about its quality on my part has since been replaced with whole-hearted enthusiasm for one of the most charming romantic comedies of the last decade.

For those unaware, Love is War focuses on Miyuki Shirogane and Kaguya Shinomiya, the president and vice president of the student council of the elite Shuuchin Academy. After working together for about half a year, the two simultaneously develop a crush on the other. However, the driving philosophy among those at the top is as such: Admitting one’s feelings is tantamount to admitting defeat, and so the two engage in war to get the other to confess first.

Ultra Romantic? More Like Ultra in Panic

I said in the plot description that the show focuses on their game of not admitting to one another, and while that is still generally true of the third season, there is a large shift in philosophy that encompasses much of Ultra Romantic. Whereas seasons one and two felt significantly more playful and comedy focuses in their approach to the story, Kaguya-sama’s third season is decidedly not that.

Ultra Romantic instead looks towards the end game. For as much as the antics between Kaguya, Miyuki, and the others are fun, time is not static, and both seemingly want this game to come to an end. Kaguya is as restless about the situation as ever, and at this point is even worried about sending him a message on social media, not only because of their game but because she is genuinely confused about how she should approach the situation.

Meanwhile, Miyuki’s sense of self-worth has always been determined by his ability to outwork others. Consequentially, this has meant that his relationship with this game has become more tied to his self-worth. Thus, this sense of resignation in wanting to confess to Kaguya is a genuine internal conflict that she is only aware of on a surface level.

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Romance Isn’t Just For Protagonists

If Love is War was only good for its leads, I do not think I would be able to leverage the amount of praise for it that I do. What sets the series apart from other romantic comedies is that its side characters are decidedly less one-note in their effect on the story or any individual gag.

A great example of this is Ishigami. While he certainly started out as kind of a nothing character, his evolution throughout the series has been phenomenal. His arc during the final episodes of season two showed that the series is able to handle heavier moments despite its more lighthearted nature.

Season three only built on this development, as the revelation of his feelings for Tsubame creates a funny and heartwarming side-story which at times feels as compelling as the push and pull of Miyuki and Kaguya. If season two was Ishigami’s lowest moment, then the end of season three is a moment of triumphant return.

However, Ishigami is not the only other love-struck idiot desperately hiding their affection. It really could not be any more obvious that Miko herself has started to develop feelings for Ishigami, who does not seem to notice, and yet continually feeds this attraction by showing her continual kindness. This comes to a head when Ishigami hand delivers an IPad so she can watch the campfire that she helped organize in the first place.

As much as the main romance of the series is great, some of my favorite moments have come from the interactions between Hayasaka and Shirogane. Embedded in their encounters is a message about what it means to be one’s genuine self, and how the two of them are forced to hide behind a social mask for fear of being ridiculed. Apart from the obvious romantic dynamic of Hayasaka’s crush on Shirogane, their relationship also symbolizes the hardships that come with being from a lower-class family, which itself makes their relationship feel like a continuous moment of solidarity.

The Visual Gag Level Up

Another thing that Kaguya-sama has always been good at is visual gags. Its ability to utilize moments of extreme sakuga and other weird references to tell a joke is second maybe only to a few others. Much like the previously mentioned character development, the visual gags of season three have only gotten funnier.

One of my personal favorites comes from Maki during the early to mid part of the season, where Ishigami tries to protect her from playing her erotic relaxation soundtrack out loud because she forgot to plug in her headphones, meanwhile the image of cute boys is constantly appearing in her head.

Kaguya’s facial expressions are also amongst my favorite, as she can often go from menacing psychopath to adorable gremlin in a matter of frames. The thing that makes it even more humorous is when the series ops to cut in the moments of heaviness with these strange visual gags, which can certainly feel jarring if done poorly, but is almost always on point.

The Finale/Confession

The climax of the series’ cultural festival arc is one that I did not see coming even despite how obvious it was that something was going to happen. In a final bid to get Kaguya to confess, Shirogane undergoes a secret identity of the phantom thief, leading everyone around so that he can have his moment with Kaguya, and while neither actual confess, they do share a kiss under the thousands of heart-shaped balloons which he had risen up from the campfire below.

Again I am not gonna pretend like I did not see it coming. It is literally in the premise of the show that it was going to happen eventually. However, I am a strong believer in the idea that a plot point being obvious is not necessarily bad as long as it is executed well, which this flashy display of romance most certainly was.

Conclusion

There is not much to comment I that I have not praised the series for before, and on top of that, it has been confirmed that another anime-related project is in the works, which likely means either season four or a sequel movie. Season three was exciting, charming, and overall everything that I could have wanted from the series in its latest incarnation.

91/100

How did you all feel about Kaguya-sama: Love is War? Let me know down in the comments.

As always, special thanks to Jenn for supporting the blog on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Anime/Manga, Initial Results

Initial Results: Kaguya-Sama Season Three

April 24, 2022 Jack Scheibelein Leave a comment

Welcome, weebs, to Animated Observations

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Love is war, indeed, and the war now continues into the series’ third season. The competition: fierce, the battles: just as high stakes as ever. Even Chika is resorting to cheating just to get a leg up, much to Ishigami’s continued annoyance. Those who have watched the first few episodes already will understand what I am talking about, and those who have not…what are you doing reading this?

I mentioned in my seasonal intro that Kaguya was the series I was most hyped for. The first two seasons not only had me laughing my ass off but also genuinely had me invested in the characters as people. Luckily, the first episodes of the season have yet to disappoint.

Part of what has made Kaguya-sama work up until this point is its previously mentioned characters. Sure, Kaguya and Miyuki themselves could probably carry a good portion of the show. After all, their dynamic is well thought out on a comedic level. However, they can only be that funny for so long, and the elevated role of Chika, Ishigami, and the recent addition to the student council Miko has helped to prolong the show’s comedic value.

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Still, the opening bit between Miyuki and Kaguya is no less funny. With her first-ever smartphone now in hand, Kaguya attempts the daunting task of responding to Miyuki’s messages. The 4D chess of trying to get her to admit to staring at her LINE app for hours and then getting saved by Hayasaka and the “computer system” at the last minute is honestly brilliant.

The growing relationship between Ishigami and Miko is another that I am intensely curious about going into the rest of the season. At times, it can be hard to tell whether the two actually hate each other or if the combative aspects of their personality are just being played up for maximum effect. Personally, I am not complaining either way, but I do hope we get a real conclusion in that regard.

The anime is also no less beautiful than it was last time around. A-1 Pictures seems to be handling the production well enough, and director Shinichi Omata, who handled the first two seasons as well, seems poised to deliver on quality, per the usual. Musically, the series is still quite interesting. the OST feels as strong as ever, and both the opening and ending themes also have their strengths, along with also being incredibly well animated to boot.

Kaguya-sama: Love is War – Ultra Romantic seems to be on track to be one of the better entries of the spring season. Though I have definitely cursed other series with those same predictions into a spiral of bad writing, this series has a proven track record and a convincing one at that.

Are you excited about Kaguya-sama season 3? Let me know in the comments.

As always, thanks to Jenn for being our amazing supporter on Patreon.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Opinion

What I’m (Probably) Watching for Spring 2022

March 20, 2022 Jack Scheibelein 4 Comments

Welcome, weebs, to Animated Observations

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It is about that time of the year again, where the anime of a given season finishes, and the list of new arrivals is all but determined. I tend not to dip my toes too far into the pool of seasonal offerings, usually because I am either too busy or too lazy to keep up with the series that I start. So, in the interest of not developing bad habits, here are the series that I may or may not watch for the spring season this year.

Kaguya-sama: Love is War Season 3

I honestly do not know what more needs to be said about one of the best romantic comedies of the last few years. Despite its admittedly gimmick-based premise, it has since managed to create many layers of depth within its story, with its central premise of two idiot nerds with way too much pride to even cut through some topical issues like classism. Above all else, though, it is genuinely entertaining to watch Kaguya and Miyuki exchange mental blow after mental blow, all the while the people around them perceive them as the weirdos they really are. I honestly had forgotten that this show was already confirmed for a season three, but there are certainly no complaints.

Komi Can’t Communicate Season 2

Komi is another romantic comedy series that, since its initial episodes, has come to genuinely surprise me, although certainly not to the extent of Kaguya-sama. Its humor is a bit more niche, and the jokes do not land for me as often as I feel they should, but the series also still has a lot to say, particularly about anxiety and its effect on our ability to navigate social interactions. While Komi is always surprised to see her classmates so supportive of her, it does not mean she is satisfied with sitting down and being quiet. I do not expect to get much out of this season outside of a few chuckles, but I am open to being pleasantly surprised once the rubber hits the road.

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Summer Time Render

Studio OLM also has another series airing this season alongside Komi, and that is Summer Time Render. Given my terrible relationship with social media, a lot of my news on upcoming manga adaptations comes from manga tik tok creators, and given that literally none of the many that I follow even so much as mentioned in this series, I am a bit hesitant. That being said, there is a certain allure in the vague plot description which serves as the series intro. On top of the incredibly 0-100 trailer which makes almost no sense, I am really only left with feelings of excitement and possibility.

SPYxFamily

If there was an honorable mention slot on this list it would probably go to SPYxFAMILY, because, while I do want to experience the series at some point, there is also a decent chance that I just end up reading the manga in my spare time. This is nothing against the anime, Cloverworks and Wit Studios have decent track records, after all, but sometimes I just need something to look forward to reading, so the anime will not be high on my priority list.

What are you watching this season? Let me know down in the comments. Also, since the season is starting soon that will mean full reviews for the Winter shows I watched and some initial reactions for the spring, so expect more seasonal content in the coming weeks.

As always, special thanks to Jenn for being an amazing Patron

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Anime/Manga, Observation Deck

Final Thoughts on Kaguya-Sama: Love is War Season Two

January 6, 2021 Jack Scheibelein 4 Comments

Welcome, weebs, to Animated Observations

Two positive reviews in a row? why it might just be a Christmas miracle!

Oh who am I kidding? Most of my reviews are positive because I rarely ever watch stuff I feel like I’m not going to like.

Well, anyway, yeah I doubt this is going to be much of a surprise, but “Kaguya-Sama: Love is War” is a truly exceptionally series. I’ve already mentioned a few times how my initial impressions of the series led me to believe that it was going to be an extremely repetitive series with little variation in its comedic focus and timing. Luckily, though, I ended up being sorely mistaken. Without further delay, here are my thoughts on the second season of “Kaguya-Sama: Love is War.”

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War Rages On

In my discussion of the first season of “Kaguya-Sama,” I noted how the show plays up the more conservative ideas around romantic interest for comedic relief, dumping on the idea that one needs to hide their emotions by showing how both of the main characters end up miserable for doing so. The series largely continues this idea, but also uses its time to bring new characters into the fold and develop others who were somewhat shunned during the first season, namely Ishigami.

While the battle between Kaguya and Shirogane to get the other to confess seems to be raging on, morale on both sides seems rather low. The series shows how this idea of not admitting ones love first can affect people. Shirogane becomes increasingly worried that the vice-president hates him, while Kaguya, in turn, becomes increasingly flustered and unable to come to terms with her own feelings. As sad as it is to say, though, this kind of scenario does make for great comedy, as one constantly tries to out do the other, despite the fact that they both just to end it all and be together.

Still, I should give the show’s writers a bit more credit, because while the idea itself is certainly amusing, especially given the hormones’-infused, rich kid high-school setting, it is the everyday scenarios which themselves are turned into battles of love that make the show so fun to watch.

Ishigami’s Struggle

I was genuinely surprised when I realized that they were giving not just more attention to the side characters, but a whole back story. While Ishigami was given a fair amount of screen time in the last season, it never really felt like he was an essential part of the story despite the fact that he was also extremely funny. It definitely makes sense that his past would be a little bit darker considering how gloomy he is, but those last three episodes were not the direction I was expecting.

Still, I am happy they went there. Ishigami’s actions with regards to Kyoko’s boyfriend do not feel as justified as the show probably wants them to feel. After all, he did just walk up and start assaulting the guy when he could have just confronted Kyoko herself. However, the sentiment is certainly a relatable one. After all, there are plenty of awful people in the world, and their is most certainly a visceral anger that arises when they just reveal their shittiness right in front of you.

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Conclusion

Thought there is not much information available right now, it does seem the series is ripe for a third season, and I for one am ready. The series is extremely enjoyable from start to finish, with only a few misses throughout the entire series. What will become of Shirogane and Kaguya? What will happen once they have graduated? Will we learn more about Fujiwara and the others? Hopefully these questions and more will be answers by “Kaguya-sama’s” eventual return.

How do you guys feel about the show’s second season? Let me know in the comments below.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Anime/Manga, Observation Deck

Final Thoughts: Kaguya-Sama, Love is War

April 4, 2019 Jack Scheibelein 3 Comments

Welcome, weebs, to Animated Observations

When I first started watching Kaguya-Sama, I was pretty immediately skeptical. It seemed like the type of show where the humor would run dry pretty quickly, and all that would be left are a bunch of stale characters with one dimensional personalities. Luckily, though, that wasn’t the case. Here are some of my final thoughts.

Kaguya-Sama’s Toxic Ideology

Love is a fairly complicated series of emotions, events, and interactions with other people, and can exist in a number of different forms. However, Romantic Love is arguably the most complex of them all. Romantic Love is something that also has different forms across cultures, and depending on the specifics customs and traditions that govern these cultures, can be born out in different ways.

In a much more conservative culture like Japan, and even to a certain extent in western countries like the U.S., the idea of admitting feelings first, or saying I love you first is, to put it lightly, a big deal. However, I also think this aspect of our culture is arguably the one of the most toxic elements of it. The reason I say this is because it often creates a situation where people have to live uncomfortably with their own emotions, and societal pressure keeps them from expressing how they feel for fear of being ridiculed.

This becomes even more prevalent in cultures, again like Japan and the U.S., where a hyper masculine ideal is still common, because in these cultures showing emotion becomes a sign of weakness. The reason I bring this up is because this cultural idea seems to be at the center of the show.

Now, in fairness, at least in Kaguya-Sama’s case, the comedic aspect of the show seems to playing this up as both of the main character’s weaknesses rather than their strength, showing that the two are much more miserable because of this type of pride, and that at least I can respect.

Comedic Greatness

Alright, but seriously though, this show is pretty funny. It has a lot of fantastic comedic elements that make it worth watching, even despite some level of toxicity. Probably one of my favorite parts of the show is when Kaguya locks Ishigami in a room in order to force him to study for their Mid-terms, because if he fails them he likely will have to repeat a year. One of the best eight minutes of the whole series.

How did you all feel about Kaguya-Sama? Let me know in the comments below. Also, if you would like to support The Aniwriter, or are just feeling generous, consider donating on ko-fi, or using one of the affiliate links down below:

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Blog Updates

Aniwriter Update #17: College Preparations

March 31, 2019 Jack Scheibelein 2 Comments

Welcome, weebs, to Animated Observations

Well, I forgot to post this when it was supposed to be posted, but to be fair, I haven’t had much going on, nor has there been a whole lot of interest on the The Aniwriter as of late. Still, I’ll go ahead and let you all know what has been going on.

Preparing for College

There has definitely been a not insignificant amount of work for getting into college, between filling out my FAFSA, setting up my account with the college, and registering for orientation so that I can even sign up for classes, but so far everything has been going relatively smoothly.

I’ve also had the pleasure of getting to talk about transferring colleges with a few co-workers who are also going to the same college. All of us are actually going to the same orientation together, so that should be pretty fun.

The Winter 2019 Anime Season

As with most seasons I tend not to bother with most of the shows and really try and focus on the shows that grab my attention. For Winter, there were three shows that have did just that: The Promised Neverland, Dororo, and Kaguya-Sama: Love is War. The Promised Neverland turned out to be as good as thought it was going to. Dororo, at least as much as I have seen of it, became a source of restored faith in studio MAPPA, proving they once again that they can make some great stuff. As for Kaguya-Sama, the show has been a pleasant surprise that I am excited to have started.

I plan on having some kind of post discussing each of these shows out hopefully fairly soon.

What things have you all been up to? Let me know in the comments below. If you would like to support The Aniwriter or are just feeling generous, consider donating on ko-fi or using one of the affiliate links down below.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

Anime/Manga, Opinion

Correcting the Record: Kaguya-Sama is not Boring

March 9, 2019 Jack Scheibelein 3 Comments

Welcome, weebs, to Animated Observations

A couple of weeks ago I did my episode one reaction to Kaguya-Sama: Love is War. In that post, I was generally positive about the show, with my only concern being that the format could become super repetitive and uninteresting. I am here now to say that Kaguya-Sama is by far one of the most entertaining Slice-of-Life Comedies that I that I have seen in a while.

There are a lot of things that play into my current enjoyment of the show, but I think the main one is just how interesting the main characters are, or rather, how good the show is at getting me interested in said main characters. Both Kaguya and Miyuki are incredibly talented students, earning the best grades and easily acquiring the respect of their peers. However, on the inside, they are still awkward teens who have a crush on each other and just don’t want to admit it.

This leads into a lot of hilarious situations. One of my favorites so far is the scene where they are alone together in the student council room and in order to pass the time they decided to play a game of 20 questions, in which Miyuki asks Kaguya. The scene builds up a lot of dramatic tension by continually hinting that this might be when Kaguya reveals that fact that she like him, but that tension then becomes a wonderful payoff when at the end it is revealed that Kaguya was actually thinking of a dog instead of Miyuki.

This, however, is just one example of the great humor that comes out of the show, and not only is it great, it is diverse. There are so many interesting and funny scenarios that the two find themselves in, trying to out whit each other and get the other to admit there feelings, only to then be thwarted one way or another. In other words, I am glad I was wrong.

How have you all been feeling about Kaguya-Sama? Let me know in the comments below. Also, if you would like to support The Aniwriter or are just feeling generous, consider donating on Ko-fi or using one of my affiliate links down below: