Welcome, weebs, to Animated Observations
As much as I love talking about all of the things I review for this blog, there is also a lot of stuff that I watch, play casually that does not get its own dedicated post. This is either because I have yet to finish it or because it does not fit in with the normal stuff I talk about. So, we are back with another edition of Secondary Findings, a series where I do just that.
This game probably will end up getting a full review on this blog at some point. However, with the little free time I have already, it has been hard to dedicate the proper hours to actually finish it. On top of that, Hades is the type of game where exploring it in depth could mean going through multiple runs, as it has become the poster child for indie rogue-likes.
It is not hard to see why, though. Between the relatively straightforward gameplay, unique build paths for different styles, and the incredible fluidity with which to make combos. That is not even getting into the super-inspired character designs which re-imagine the greek gods and goddesses in a way that gives them a lot of charm. While I cannot speak to anything beyond a few hours of gameplay, it is fairly obvious why Hades has such a strong fanbase.
Lucifer and the Biscuit Hammer
Though the series has yet to get its recently announced anime adaptation, its 15 minutes of Twitter fame was enough to ensnare my interest, and so I decided to give its first volume a read. To my surprise, the hype felt mostly deserved.
Even with its incredibly convoluted plot about saving the world from a wizard and a giant hammer with the help of a girl who also wants to destroy the world, this shounen comedy has thus far been a delight. Its funnier moments are indeed funny, but in the moments where the series calms down and starts to do a bit of introspection, these moments of malice slowly creep in and reveal some things that really drive a lot of interest.
It is hard to say what exactly will happen from here, but Lucifer and the Biscuit Hammer is definitely a manga that I am going to pursue further. if those moments of darkness are any indication of what is to come, there will certainly be something worthwhile on the other side.
I generally try to avoid talking about music on this blog unless it is in the context of an anime or video game soundtrack since that is fairly outside my wheelhouse. Though, of course, I have made exceptions for albums and artists who have had a significant impact on my thinking, with the most recent example being From Me to You by Quadeca.
However, since this is a more casual series focused on the stuff I enjoy, it would be weird not to talk about this strange musical subgenre that has taken up a not-insignificant portion of my music diet. Anyone who has been paying attention to internet culture has probably at least heard the name 100 gecs, who are the most recent act to popularize hyperpop.
However, the subgenre goes has been developing a lot over the past couple of years, often with the artists themselves having a love-hate relationship with the label. Personally, what I love about it is the way it combines elements of EDM reminiscent of the early 2010s, as well as modern pop and hip-hop trends.
The song linked above serves as a good example of what a lot of modern hyperpop has leaned into. I have heard it described more than once as “a musical genre for people with ADHD,” and while I am not sure if I actually have ADHD, it does help scratch a certain brain itch when listening to it.
All of Us are Dead
All of Us are Dead is a Korean zombie horror series that was released on Netflix in a manner similar to the now hit series Squid Game. It focuses on a Korean high school where a new illness has broken out which rapidly transforms the students into zombies, and now they must survive while being quarantined inside the school.
This is another property I have yet to fully dive into, having only watched one episode as of writing. It does take a while to build to its crescendo, with the first episode clocking in at just above an hour in total runtime. Yet, even with that long run time, it still manages to set up a lot of unique storylines without feeling bogged down by the number of characters.
Of course, it remains to be seen whether or not the series can actually stick the landing, but considering the last semi-competent zombie story I consumed was roughly seasons 3-4 of The Walking Dead, I am excited to see where this goes.
What all have you been enjoying recently? Let me know in the comments.
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