Tag Archives: Manga

Initial Results: My Dress-Up Darling

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It is officially that time of the season. Now that a couple episodes are out for basically every show that is airing, we will be taking a look at what Winter 2022 has to offer, and whether or not it will be worth finishing them. First up on that list is My Dress-Up Darling, a show that has an extremely interesting concept, as it feels like a fairly unexplored angle given anime’s often self-referential culture. So, how does this show stack up so far?

Well, tbh, not great. Do not get me wrong, I absolutely want to like this series. As far as the character arcs are concerned, everything is going nicely. Gojo is set up as the weird, introverted kid with no sense of social awareness in contrast with Kitagawa, whose social life and friends, as far as Gojo is concerned, just seem to come naturally.

However, where I find myself wary of My Dress-Up Darling is in Gojo’s larger personality failures. This could honestly just be chalked up to personal preference, but something about how he is portrayed as a total loser is just kind of annoying at this point. The whole teasing trend across female main characters such as Uzaki and Nagatoro that has been rising in popularity recently just feels a bit antithetical to what its story is trying to accomplish.

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Gojo very obviously wants to enjoy a life in which other people accept him and his hobbies for what they are, and Kitagawa is an understanding person who does not know how to realize her hobbies. Thus, it feels a little weird to spend almost an entire episode just focusing on weird he feels about taking her measurements for an outfit.

Outside of that philosophical gripe, though, there is plenty of potential here. The animation and character designs are pretty as hell, with Kitagawa being the standout. Normally I would say anitwitter fawning over a character is unjustified, but in this case, it makes a lot of sense. Even the designs for the unnamed background characters stand out a lot more than in other shows, so points for that I guess.

The music overall feels pretty meh. While there is certainly no stand-out awful track, there is also nothing incredibly interesting either. The only exception to this is ED which I actually mess with quite a bit. Here is to hoping that it comes on streaming services soon.

Overall, while the series is, at least right now, being dragged down by a fairly awful second episode, it has plenty of room to bounce back. My recently having finished the second season of The Promised Neverland has left me without a lot of faith in Cloverworks, but hopefully, they can pull themselves back up and finish strong.


How do you all feel about My Dress-Up Darling? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special shoutout as always to our patron Jenn, the support is much appreciated!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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The Observation Deck: Blue Flag

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Romance in any genre is a really hard thing to get right, as there are so many considerations for what constitutes a good romance story. A romance that is straightforward might be labeled too earnest and simple, but one that is trying to weave together multiple character arcs over a short period could get written off as simply overdoing it. Characters that have one-dimensional motivations can come across as boring, but making them super idealistic and ambitious also comes across as a bit pretentious

Blue Flag somehow manages to circumvent all of this and is, without exaggeration, is one of the best romance stories I have consumed in a while. I said this about Golden Time as well back when I watched in the middle of last year, and I am being equally as sincere about Blue Flag. Idk what it is, but I guess I just managed to find all of the good stuff recently.

The story of this manga focuses on Taichi Ichinose, a high school student who finds himself suddenly reconnecting with his childhood best friend, Touma Mita as well as helping a fellow classmate, Futaba Kuze, get together with him. What both Taichi and Futaba do not know, however, is Touma’s secret romantic feelings for Taichi, along with Futaba’s best friend Masumi Itachi’s feelings for her. This love quadrangle only gets messier as time passes, and each of them is forced to make choices about their future.

LGBTQ+ Romance

As unfortunate as it is to say, there are very few stories period, let alone once in which the primary drive is romance, that handle queer relationships in a way that is not one-dimensional or fetishistic. After all, the mainstream view of these communities has and still is, very often clouded by stereotypes. While I imagine the context in modern Japan is probably at least somewhat different than our own, many of these stereotypes seem to be universal.

Thus, it was a wonderful surprise to read a story in which most of those problems are non-existent, in which the characters dealt with the idea of a same-sex couple in a way that was, maybe a bit outdated by today’s standards, but still a real scenario that many gay people go through. When I talked about Blue Period last week, I mentioned how the character of Yuka has been praised for being a non-binary character whose identity does not become her only focus.

What I appreciate is how Blue Flag has a similar dynamic with its characters. Though the comparison is not as one to one due to the identity of Toma and Taichi being very much the center of the story, it still feels as though they are treated as wholistic, independent characters even outside of their continually evolving and messy relationship.

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Handling Character Relationships

As I mentioned before, striking the right balance of having too many overly developed characters versus overly simplistic ones is a difficult task. I would argue that a story like Beastars, for example, for as rich as its attempts at world-building are, has far too many non-sensical plotlines to ever feel like a satisfying series. Granted, Beastars is not over yet, whereas Blue Flag is, but the point is there regardless.

Mangaka Kaito has a strong grasp of what it means to introduce a character. Not only does every character feel developed into their own person by the end of the series, but each one gets the chance to interact and understand the others across a cast of 10+ notable characters and a mere 54 chapters. This includes everyone, from the aforementioned main Quadrangle to Toma and Taichi’s extended friend circle.

The only exception to this is Taichi’s parents, and while it would have been interesting to weave in another backstory about Taichi through their perspective, doing so in a way that is forced or uninteresting could have also hurt the series, so I certainly do not blame the author for leaving them aside. One could also include Futaba’s relatives on that list, but I would argue that the small snippets Kaito does give us of her home life are sufficient to justify her character’s behavior.

Fantastic Artwork

As infrequently as I talk about manga, I usually avoid talking about the artwork at any great length because my repertoire for comparison is so laughably small. After all, what makes for good art in anime is not always the same as what makes for good art in manga. Still, I cannot help but sing Blue Flag’s praises in this regard as well.

The backgrounds, in particular, are worth pointing out, as no matter what location the characters are at, whether it be downtown Tokyo, high school, etc, there is almost always something to stop and look at. Even in the cases where the art takes a back seat to character interactions, such as the hijinks between Taichi and Futaba, it is done for comedic or dramatic effect. Thus, I would consider its artwork to be about as amazing as a manga can get.

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Playing with Perspective

Perspective is one of those literary tools that is always there for non-written mediums of entertainment but very rarely gets utilized in a way that feels at all innovative. The best example is obviously video games, in which the interactive nature of the medium invites a variety of different storytelling perspectives. Manga, meanwhile, is, by and large, a third-person medium, in which characters are seen only from an outsider’s view.

Blue Flag, however, remains unafraid of experimentation. While admittedly not utilized all that much, the series is still willing to take a look at people’s past through the lenses of those characters. Two great examples are the backstory chapters for both Touma and Taichi, where each one has the past revisited from the first-person perspective, which allows us to view the character’s past from their perspective.

In Taichi’s case, we get a view that is largely in the shadow of Touma, who was more popular and had more friends even in junior high. Even as he comes out of this shadow, and meets a girl not unlike Futaba, it is only so that she can confess to Touma. With Touma, we see, from his perspective, his household before and after the tragic accident involving his parents, and how that affects his relationship with others.

All of this is complemented by the way Kaito plays with a first-person perspective in the final chapter. Someone whose name is listed as Ichinose is invited to Futaba’s wedding some seven years later, but it is revealed later on that Taichi was at Yokki’s wedding which landed on the same day.

This combined with a cheekily placed shot of two people in suits holding hands, combined with the noticeable absence of Touma directly, tells us that it is in fact his perspective that the chapter is seen through. What is heavily implied throughout the entire series is revealed in a way that is both unique and playful, fitting the personality of the two main characters.

A Few Gripes…

The series did a lot right in terms of its story composition, character relationships, and artwork. however, there are a few things that I wish were done differently.

First, for as fantastic as the dialogue in the series can be, there are also times where it becomes a bit overbearing. This is most evident in the scenes with Mami and the other minor characters who talk… a lot. Though this is certainly in character for them, it does get a bit annoying when I have to squint just to read every word on the page while only a foot away from my computer. Luckily, these moments are much fewer and farther between, but still feel a tad too present.

Second, why Kaito decided to go as far as invoking child molestation to defend Kensuke’s terrible behavior towards Touma I will honestly never understand. I get that his beliefs are supposed to be irrational, and also that Kensuke himself is supposed to be stupid, but surely there was another way without legitimizing a terrible perspective like that, no?

Conclusion

While I do not know that I could say Blue Flag is perfect by any means, and some of its thematic elements do run up against cliche more often than not, it is, at least, great. What it lacks in grace and brevity it more than makes up for in solid pacing and amazing payoff. What is more, I can honestly see myself coming back to it in a few years as well. If you have yet to read this series, then I would say it is more than worth the two dollars a month from Viz for this series alone.


How do you feel about Blue Flag? Let me know in the comments below. As part of my new year’s resolution, I said that I would be putting out at least one video a month, and for this month, I’ll be revisiting The Promised Neverland, so stay tuned for that.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special thanks again to our Patreon member Jenn, it is greatly appreciated.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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The Observation Deck: Komi Can’t Communicate

Welcome, weebs, to Animated Observations

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I think the thing that I enjoy most about slice-of-life comedies is that, well, there is no rush to be anywhere. In her video on Azumanga Daioh, YouTuber hazel discusses how, despite the lack of any overarching plot, the series still makes you care about its characters. Whether it be one of the main girls, or even one of the side characters three tiers removed, each of them comes into their own in some way. Ultimately, hazel describes the series as perfect, at least to her.

While I cannot say have anywhere near the same attachment to a series like Komi Can’t Communicate, it certainly does have its charms. The series stars its namesake character Komi as she begins her high school life. However, given her extreme social anxiety, she cannot talk to anyone, and yet everyone in her school treats her like a god. With the help of fellow classmate Tadano, Komi hopes to make many friends.

I Mean, What’s There to Say, Really?

The problem with talking about a series like Komi Can’t Communicate is that, well, there is not actually that much to dissect. A lot of what makes the series work is whether or not 1) one buys into its core premise, and 2) finds it funny enough to stick with for a whole 12 episodes. Otherwise, the show just kind of fails.

Ok, maybe that is a little harsh. After all, it does work for me. Part of that, I think, is the character of Komi herself. While I have never known anyone to be socially anxious to the point of literally being speechless, as an exaggerated metaphor for how it can be to go through high school without strong social skills, it works. I know I was definitely not one to make friends easily, and it was only after joining my high school newspaper that I made any significant friends and gained my confidence.

However, for people lacking those same experiences, the comedy might not hit in the same way. A large part of comedy is the subjective experiences that inform them, to begin with. In that respect, I think Komi covers just enough bases that even those outside its target audience will find something worth enjoying, assuming they stick around.

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So, Does She Actually Not Communicate?

Tadano, being the one who agrees to help her find friends, ends up being the other main character. The show itself describes him as agreeable, but ultimately dull and average. Now, as much as I can appreciate the self-insult, it does not change the fact that he is actually pretty uninteresting.

A lot of the jokes in the series are made at his expense but rarely do they ever lead to any significant changes in his character. In fact, most of the development he does go through in the series happens as a result of helping Komi make friends. Again, none of this is to say that having no overarching story is bad, far from it, but whereas Azumanga Daioh’s ending makes one feel connected to its cast, Tadano hardly inspires that same satisfaction.

The one exception to this is the burgeoning romance between him and Komi, and of course, by burgeoning I mean not at all and that Tadano is so slow in recognizing Komi is into him that they literally introduced a whole new character in the last three episodes of the first season to tell him how dumb he is. Honestly, now that I write that all out, it is really funny. Gotta hand it to the writers on that one.

The Side Characters

Despite Tadano being relatively uninteresting as the main character, there are others who pick up his slack. Najimi, Tadano’s childhood best friend and one of the first to befriend Komi, acts as a big chaotic neutral, mostly doing whatever seems fun at the moment and rarely thinks about the consequences.

Some of the best moments in the series actually come from a recurring bit with Najimi and Komi. Usually, this involves Najimi jokingly asking Komi to go get her something as a way of boosting her social skills, often giving her a complicated order, and Komi agreeing. Komi never actually comes back with the right thing of course, and the process itself often scares her half to death. However, it highlights both how carefree Najimi is and how hard Komi is working to communicate with other people.

Yamai is another character who is, well, also not funny. Her introductory episode involves her abducting Tadano for over a day, locking him in her room, and inviting Komi over to hang out. While I can certainly appreciate a good Yandere in specific contexts, comedy is not really one of them, as the joke usually just boils down to “tehe, I’m crazy.”

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The Last Five Minutes

While the last episode was, on the whole, nothing to write home about, the final bit was really thoughtful. It starts with the main characters singing Kareoke together to the show’s ending theme. Afterward, it cuts from credits back to a scene of Komi, alone in her room appreciating all of her classmates by writing down their names, with Tadano’s name placed squarely at the top of the list.

We then get a sequence of class 1-1 filming the outro sequence to the show, with Komi finally being able to say “Yoroshiku, Onegaishimasu,” which is a way of saying “I look forward to working with you,” or, less literally, “I hope we can be friends.” It then cuts to a black screen which dedicates the series to those with social anxiety. Though it does not make up for the more lackluster parts of the series, it was a pretty thoughtful ending and one that I appreciate.

Conclusion

To be frank, there are a lot of Slice of Life comedy series that I would go to before Komi Can’t Communicate. Horimiya, Chuunibyou, hell, I would even go as far back as School Rumble. Still, that does not mean there are no good qualities here. Komi is a likable enough walking metaphor, and seeing any potential development in her character is worth waiting for the second season.


How do you all feel about Komi Can’t Communicate? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special shoutout to our Patreon supporter Jenn, it is greatly appreciated.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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The Observation Deck: Blue Period

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Announcer: “In a world-first achievement, which took all the strength and concentration he could possibly muster, Jack has finally finished a seasonal anime that he started watching!”

I know, I know, truly an incredible feat for someone as fickle about anime as myself. However, in all reality, given the overall quality of the series, finishing Blue Period was not difficult in the slightest. At least for me, this anime kind of came out of nowhere, and yet has somehow ended up as one of my favorites from last year. Still feels weird to say last year when I’m writing this three days into 2022…

Blue Period tells the story of Yatora Yaguchi, a straight-laced popular kid with good grades who is also a delinquent, as he spends most of his free time drinking with his friends and staying out late. Though he finds some happiness in setting up tasks and achieving them, a chance encounter with members of his high school art club ends up challenging his entire “practicality over everything” philosophy. All of sudden, the beauty Shibuya in the morning becomes an inspiration, rather than a passing note. Art, rather than making money, becomes Yatora’s focus.

What Does “Practical” Even Mean?

Something that I think informs a lot of the praise of this show is Yatora’s transformation as a character in the early parts of the series. Initially, Yatora’s entire mindset around his career choice is focused on not what will make him personally fulfilled, but rather what will ensure a stable job and money.

This is not to say that being concerned about those things is not important, especially in the context of growing up in a poor household. As someone who was born into a solidly upper-middle-class household with a lot of economic and social privileges that others simply did not or do not have, I can definitely understand how it might come off as a bit patronizing to tell someone without those same privileges to “just follow your dreams.”

Even more so than that, though, it feels like Yatora is not just concerned about getting a good job, but rather that his entire life has been dedicated to making others happy. This is so obvious to the other people that even Ryuuji “Yuka” Ayukawa, who in the beginning Yatora has a passing relationship with at best, is able to point this out.

While the dynamic is not exactly the same, as Japan seems to be far more conservative in this area, there are undoubtedly a lot of people, including myself, who grew up only ever worrying about other people, whether that be parents, friends, teachers, etc. The catharsis of living for yourself is truly a transformative one, and it is this same catharsis that makes Yatora such a compelling character.

Gender Identity in Blue Period

Blue Period‘s manga had its first English release back in October of 2020, and since then many have taken to talking about the character of Yuka, whose presence in anime series is also a welcome addition. The reason for the continuous discussion of their character is their designation as non-binary, something that, in the past, has very rarely come up in anime. Even in the situations where it did, it was usually as the butt of some painfully unfunny jokes about how ridiculous their characters are.

Even more impressive though is how Yuka’s character is treated as…well, normal. At no point in the anime does it ever feel like they are there solely as a way to check off some box for character diversity, and when struggles related to their gender do come up, it is treated with a level of maturity and seriousness that every other character in the series gets as well. What I have not seen as much of, though I will admit I could just be missing some important discussion, is how gender and career choices intersect in Blue Period‘s story.

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Like I discussed above, Yatora’s character early on is informed by a sense of social expectations which pressure him into orienting his career choices around that which is considered to be most financially stable. However, a smaller, though still important element, is the gendered expectations that people have of certain careers. This article from cultural anthropologist Jennifer Robertson talks in a good amount of detail about Japan’s history of gender-bending and reading it has revealed that there is a strong possibility that these gendered expectations are likely different in Japan than they are state-side.

Still, I cannot help but feel that the perceived effeminate nature of art becomes another point of confusion and fear in Yatora’s development as a character. He, having grown up as a seemingly conventionally attractive Japanese male, feels out of place in a space dominated by those who are different from the norm.

What is more, Yatora is not even the only example of gendered career expectations rearing their ugly head. Near the end of the series, one of his “delinquent” friends Koigakubo tells him that he wants to become a baker. Yatora is surprised, but ultimately supports him, having been through his own struggle with art and understanding that Koigakubo needs emotional support. Again, there is a challenge here because baking is often perceived as a more feminine career.

None of this is to say that gender expectations are a primary reason for the hesitancy these characters feel. However, I do think it is a sub-element that unconsciously heightens these fears.

Manga Discourse

I do not generally go into writing these posts trying to make enemies. My main goal has always been to talk anime in a way that highlights its literary significance and starts broader conversations. Still, after reading some reviews from those who are clearly very attached to the original manga, I felt it was worth addressing.

I have talked about it before, but part of what makes a good adaptation is recognizing when it is important to make changes. This also means knowing what details are and are not ok to leave out. As a reference, I went ahead and read the first chapter of the manga, which, and this is true, is not the same as reading the whole thing, I will admit. Here is the thing though: I still do not see what people are complaining about.

Yeah, there are some meaningful character details that get left out, like when Yatora’s friends pick up Sudama, only to tell him that he says “facts” in response to things way too much. However, nothing instrumental to Blue Period‘s identity is gone. If those who have read all of the manga have counterpoints that would prove me wrong, please feel free to leave them in the comments.

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A lot of the criticism, however, just feels like complaining for the sake of complaining. I understand having an attachment to a specific media property and not wanting some greedy corporation to mess it up. I doubt Percy Jackson fans are happy with how their movie adaptations were treated. What I do not understand is people going as far as saying Netflix’s anime adaptation is “soulless” and “lifeless,” like, did we watch the same show?

A World Full of Colors

One strict advantage that I would argue that the anime has even if it is a “bad adaptation” is the ability to see the works of its characters in full color. There is a lot of art that is done in black and white, and I am sure that most of the sketches in the series look just as fantastic in the manga. Composition is also a big part of painting, as the anime itself likes to reinforce time and time again. Seeing a painting in full color, though, gives the series an extra element of resolution, especially at the end of the second exam when Yatora’s piece is finally revealed.

Even outside of its art context, there are other elements that seeing a series in color can help articular. While his punk attitude certainly comes across clear as day in the manga, the addition of his bleached hair gives an extra bit of personality that would not be there otherwise.

Conclusion

While I certainly would not call it a masterpiece, I also cannot find much in the way of negativity to direct at Blue Period either. It is a series with a bright and colorful cast, with engaging, albeit sometimes not wholly plot-relevant, storylines and animation that helps to enhance its more visually intense scenes. Overall, this was an absolute treat and is definitely worth the time for those who have yet to see it.


How do you all feel about Blue Period? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special shoutout to our patron Jenn for supporting us, it is greatly appreciated!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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The Observation Deck: Chainsaw Man Part 1

Welcome, weebs, to Animated Observations

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While I did not list it as one of my goals for the year, I would like to read more manga in 2022, if for nothing else than to gain a bit more perspective on upcoming releases and get ahead of the curb in discussing them. Though this series finished in late 2020, it is still making waves both for how popular its manga is and because its anime adaptation is on the horizon.

During a trip to visit my grandmother over the holidays, I decided, “eh why not?” I paid my $2 a month for Viz and binged most of Chainsaw Man in a few days. I returned home shortly afterward, only to finish the series the following evening. So, what does Chainsaw Man‘s manga have to say for itself?

What in the Everloving Fu-

Chainsaw Man, for the uninitiated, focuses on an orphan boy named Denji, who, after losing his family, befriended a chainsaw devil named Pochita. Fast forward a few years, and Denji is working for the yakuza killing other devils for money. Just as he is starting to feel content with the world, he is tricked, and the Yakuza figure he worked for is now himself a demon set out on destroying the young boy. Denji, on the brink of death, is given a new heart in the form of Pochita, and gains strange new powers. He is now Chainsaw Man.

If that was not enough, it gets even crazier, as Denji eventually meets Makima, one of the heads of the Public Safety Bureau, along with some of the other Bureau members, such as Aki, Power, Kobeni, and Himeno. The initial chapters move at a fairly brisk pace as far as advancing the overall story. Fast enough, in fact, that even Denji as a character is having a hard time really absorbing everything that is going on. In a matter of days, he goes from living in poverty to having what seems like a middle-class job in which he makes real money.

Btw, if it was not made clear already, this show is about devils. Hunting devils, becoming devils, and often working alongside as well as making contracts with them. Denji, armed with the abilities of the chainsaw devil, has gained the attention of Makima (and later many others). Thus, she takes good care to keep an eye on him. The way the series just throws the audience into Denji’s world without much explanation feels fairly emblematic of its overall storytelling philosophy.

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Yes, There is a lot of Blood

Though Chainsaw Man certainly has a lot of fast-paced, 1v1 fight scenes that are typical of actions series, its approach to violence and the depiction thereof is decidedly more horror. If the literal devils did not tip people off, the show has no problem giving a ton of unhealthy reminders. In this manga, it could be argued that the gore involved in each fight is as much a storytelling device as it is an aesthetic choice.

Part of this is fairly direct, as it is noted early on that demons need to drink blood to replenish their strength. A good example comes during one of the earlier fights in the series, where Denji, having been betrayed by Power as food for a bat devil, is now forced to rescue them from his stomach. Thus, the only thing he can do is cut open his stomach using his unique powers.

Part of this, at least, is mitigated by the black and white nature coloring of traditional manga, which is to say nothing of mangaka Tatsuki Fujimoto’s extreme eye for detail in a lot of panels. In many of Chainsaw Man‘s fight scenes, Fujimoto takes great care to make sure that the people reading can remember individual demons based on their…insides.

Sex! That’s it, That’s the Joke.

In much the same way as violence and gore, sex often becomes a core aesthetic and thematic part of what makes this story work. Denji, a 16-year-old with a healthy libido, is constantly thinking about sex. At first, he merely wanted to touch a pair of boobs, but after feeling up Power and realizing that there was something special missing from his experience, Denji realizes that he also wants a sense of intimacy with Makima.

By the same token, many of the women in Chainsaw Man use sex as a means of controlling Denji. Again, this is primarily the case with Makima, but Power and Rize do engage in this behavior as well. In Power’s case, it happens when she tricks Denji into saving her cat, and in Rize’s, she simply wants his literal, and for a period metaphorical, heart. Denji is thus both the end and a means to an end at the same time, both himself and also Chainsaw Man. He is continually confronted with the idea that these two people are, in fact, different people.

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The Point, Please?

I am getting there, jeez. Ok, so Denji is a half human/devil hybrid who is hired by a secretly very shady organization to help kill rogue devils and whose members occasionally make contracts with devils which the humans then use to help kill more rogue devils and-yeah ok I have lost myself. So, does it mean anything?

As Esoteric as a task it is to try and find meaning in a gore-filled nonsense-fest like Chainsaw Man, I do think it can be done. Regardless of the arc, the primary focus of the series never ceases to be Denji, the one who uses the heart of a devil. He goes from just a homeless kid barely scraping by with pocket change to having not only money and food but friends who genuinely care about his well-being. When we consider this change in ascent, along with Denji’s character, the focus of the manga becomes apparent.

Denji is not only playing himself but is rather a symbol of those affected by cruel and unyielding social, economic and political systems. This central idea is further reinforced in other parts of the manga. In one scene where Denji is talking to Rize, she emphasizes that Denji having never been to public school, along with his current arrangement at the public safety bureau, is both out of the ordinary and also incredibly “messed up.”

While it is true that the primary reason Rize says this is because she wants to lour Denji away from the other devil hunters, her underlying shock is totally justified. After all, while fighting devils may still be a reality for many people in this universe, that does not excuse the moral dilemma of not having a basic K-12 education.

Conclusion

Chainsaw Man, in a lot of ways, is just an excuse to be transgressive around the amount of physical violence people are willing to accept in their storytelling. More than that, though, it is a story about the human experience, one which tells us that, no matter how evil an act, it can be no more evil than the worst immorality of all: taking away someone’s human element. In that way, it is a phenomenally entertaining series that it feels fair to say many will enjoy.


Have you read Chainsaw Man? What are your thoughts on the series? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

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If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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A Comprehensive List of What I (Might) Watch for the Winter 2022 Anime Season

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The Winter 2022 season is basically here, and thus it is time to look over the seasonal offerings and find out what will be worth watching. Compared to the last year of anime, which has honestly been one of the most stacked years in recent memory, this Winter is looking kind of dull in comparison. Still, that does not mean there are not a few fun things to look forward to.

Demons Slayer Season 2

Getting the obvious one out of the way, yes I will more than likely be watching Demon Slayer‘s second season. What can I say? Though its first season was not a masterpiece, it was still highly entertaining with enough story to keep me interested in its high-impact action sequences. I do not actively keep myself updated on the arcs themselves, but I have already seen quite a few memes about the episodes that are out, and it does look to be just as exciting as what preceded it.

My Dress-Up Darling

I wish I could credit the specific user whose video introduced this series to me, but unfortunately, I did not save the video. Still, shout-out to manga Tik-Tok, they are doing a lot of great work. As soon as I saw that video, I knew I was going to be hyped about this series. Does it look like a typical seasonal romance anime? Yes, but it feels like the romance anime that have been adapted recently are coming from a newer, more real strain of writing that does away with the will-they, won’t-they nonsense and gets to the heart of what makes a good romance. Now, I could still be wrong, but My Dress-Up Darling has the potential to be absolutely fantastic.

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In the Land of Leadale

I am almost never hyped about Isekai series in the same way I am about other shows, but I am certainly interested in In the Land of Leadale. Most Isekai series released nowadays tend to get told from the perspective of a male main character, so I usually find it of interest when that is not the case. This is not to say that having a female main character inherently makes a story more interesting, only that it provides a different change of pace. So, yeah, while I do not expect much from this series, I am hoping it will at least provide a unique perspective.

That, my friends, is the list. What? I said it would be comprehensive, I never said it would be long. The reality is, while new shows are always exciting my backlog is inevitably getting longer and longer, and I have yet to make a dent in it. Thus, as part of my new year’s resolution, I will be trying to strike a balance between covering new things and re-visiting old series.


What are you watching this season? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special thank you to Jenn for continuing to support us on Patreon. It means the world!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Highlighting the Best Anime of the 2010s (Part 2)

Welcome, weebs, to Animated Observations

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Apologies for missing most of this week, but passing my classes does, in fact, take precedent over writing about anime. Speaking of, I promised last week that I would give you all the second half of my 2010s highlight list, so here it is. Enjoy!


Welcome back, tourists. Today I will be finishing off the list for the best anime of the last decade. Who knows, maybe I am giving up the good stuff a little too soon, but might as well get it out there before the 2010s slowly fade away from our collective memory. After all, between the death of beloved athlete Kobe Bryant, huge wildfires that are destroying Australia and the outbreak of the Coronavirus, 2020 seems to have enough to keep people occupied.

March Comes in Like a Lion – Fall 2016 – Studio: Shaft

Nowhere in the universe is there a show nearer and dearer to my heart than Studio Shaft’s masterpiece, March Comes in Like a Lion.

It tells the story of Rei Kiriyama, a middle school shogi prodigy turned high school depression case. While still involved in the world of shogi as one of its better players, Rei faces some of his most traumatic emotional scars, including the death of his birth family and the relationship with his adopted parents and sister. Despite only ever playing shogi because of his dad, Rei’s relationship with the game becomes fundamentally altered as he works out his problems.

It is rare that a singular show ever reaches such a wide range on the emotional spectrum as March Comes in Like a Lion. Even with its seemingly odd subject matter, and also seemingly because of it. The show manages to cover a wide range of topics outside of shogi, such as depression, abuse and bullying. 

Not only that, but the show also covers these topics well. Each of them is explored in-depth and through the perspective of multiple characters, all while resolving the main plot at hand in a way that makes sense narratively. In a lot of ways, the series reflects a lot of what is going on in society today, actively bringing awareness to mental health that was not there before. 

A Silent Voice – Fall 2016 – Studio: Kyoto Animation

I said series and movies at the beginning of this list for a reason, because not recognizing one of the most impactful films of the decade would be incredibly irresponsible, to say the least. 

A Silent Voice focuses on the topic of bullying from the perspective of Shouya Ishida, the resident bully of a girl who transferred to his school, Shouko Nishimiya. Shouko, as is revealed fairly early, is deaf, and because of this is targeted by almost everyone in the school. However, Shouya gets sold out as the main culprit by his classmates. Years later, after almost attempting suicide, Shouya attempts to make amends with Shouko.

Bullying has been and remains a popular topic of conversation, especially as it affects specific communities. A Silent Voice, however, portrays a specific aspect of bullying that is not often explored, that being what happens when a person attempts to befriend the person they bullied. From that perspective, it can be quite a jarring film. 

Still, its emotional resonance and message can not be overstated, and it’s easily one of the best animated films to be released this decade.

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Made in Abyss – Summer 2017 – Studio: Kinema Citrus

If Game of Thrones has shown anything, it is that there is still a large appetite for good fantasy stories among the general population. Luckily, I have got a show that delivers just that. 

Made in Abyss is truly something special. It is set in a world where what is below the earth’s surface is arguably much more interesting than anything above. “The Abyss,” as it is dubbed, is a giant chasm that leads to an entire ecosystem below ground. Riko, a young orphan girl who grows up in the town surrounding the abyss, hopes to find out its secrets, including what happened to her mother.

Joined by Reg, a mysterious humanoid robot that has no memories of his past, Riko journeys into “The Abyss,” despite the dangers that are present. What sets Made in Abyss apart from other fantasy stories is just how unique its story really is. The universe that is constructed both around and within “The Abyss” is both original and interesting, from its creatures and plant life to the abyss explorers’ societal structure.

A Place Further Than the Universe – Winter 2018 – Madhouse

Between Wandering Son and A Silent Voice, there are already a number of emotionally powerful works on this list. Still, I think there is room for at least one more. Trust me, A Place Further Than the Universe deserves it. It is the high school drama adventure of the decade.

A Place Further Than the Universe follows Mari Tamaki and her quest to fulfill her goal of going on an adventure before she leaves high school. Right before giving up on her goal, she finds a million yen lying on the floor of a train station. After finding the girl it belongs to, Shirase Kobuchizawa, Mari decides to join Shirase on her journey to reach Antarctica.

Mari and Shirase’s trip ends up becoming much more than just a journey to Antarctica. Along the way the two meet up with Hinata Miyake and Yuzuki Shiraishi, who help them acquire the means to get there in the first place. Early on in the series, it is also revealed that the reason Shirase wants to go on this journey is because of her mom, who was a researcher in Antarctica but lost her life while on an expedition.

A Place Further Than the Universe is a phenomenal anime and one that hits home for many. At its core, the show is about looking inward, finding oneself and seeing that identity through to the end. 

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“Rascal Does Not Dream of Bunny Girl Senpai” – Fall 2018 – Cloverworks

In case anyone is wondering, no the title for this anime is not wrong. Rascal Does Not Dream of Bunny Girl Senpai is, in fact, the real English name. Despite that, it is still a phenomenal work that should be talked about. 

The series makes sure that, even with its incredibly strange title, it lets the audience know it is a serious show. The first episode features Sakuta Azusagawa running into fellow classmate and acclaimed actress Mai Sakurajima, except, as he finds out, she has been affected by a disease that he himself has dealt with in the past, Puberty Syndrome. Puberty Syndrome changes people’s realities by materializing their insecurities. 

Deciding to help Mai through her problem of people suddenly not knowing who she is despite being famous across Japan leads him to meet with others who also have the disease. This includes one of his close friends Rio Futaba. Sakuta’s world becomes even more confusing than his mundane high school life already was. All of it forces him to realize that there are a lot of things that are more important than one’s own comfort. 

That, my lovely tourists, is the list. It is by no means a complete list of everything worth watching from the last decade, but it is what I consider to be the best. After watching a few of the things from this list, it would certainly be worthwhile to venture out further into the world of anime.


Now that the list on this site is complete, I’ll ask again: did I miss anything important? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

Special shoutout to Jenn for continuing to support us on Patreon, it is greatly appreciated.

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Highlighting the Best Anime of the 2010s

Welcome, weebs, to Animated Observations

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The 2010s were a strange time. I went through middle school, became an anime fan, went to high school, stopped being an anime fan, became isolated and depressed, became an anime fan again, started this blog, and then became depressed again. Truly, it is a cycle that never ends. One of the other things I did during that time is enter college and start writing for my college’s newspaper.

Since the decade ended in the same semester I did so, I ended up writing a retrospective on some of the best anime of the decade. Now, because I have consumed a lot more, my opinions have largely changed and expanded. Even so, I thought it would be fun to throw up on here as a fun read and reminder of just how much time has passed. Anyway, hope you enjoy it!


Welcome back, tourists. With 2019 over, the decade has officially reached its end. While the constant seasonal cycle still continues, it is worth remembering anime in the 2010s. 

The 2010s were an explosive decade for the anime industry overall and for fans like myself who love the variety that the medium brings. Indeed, the anime industry’s net worth topped 19 billion U.S. dollars, and the number of shows coming out each season increased dramatically from the beginning of the decade to the end.

Because of this increased growth and diversity, the decade produced a number of incredible anime, both in series and film, that are worth remembering. Here is a list of some of the best anime from the 2010s.

Durarara – Winter 2010 – Studio: Brain’s Base

The decade started off strong with Durarara, a show where almost anything can and will happen. 

The series focuses on Mikado, a high school student who moves to Tokyo’s Ikebukuro district at the behest of his friend Masaomi. Soon after, the two begin hanging out again, only for Mikado to find out that there is a lot more going on in Tokyo than he initially thought. Before he knows it, Mikado is caught up in gang wars, urban legends and battles for mysterious ancient weapons.

There is a lot to love about Durarara. It is a series where new adventures unfold every episode, only to then later reveal something about another previous adventure, culminating into a season finale that, while admittedly somewhat weak, leaves one begging for more—that is, until you realize there is an excellent second season which more or less picks up from where season one left off. 

Wandering Son – Winter 2011 – Studio: AIC Classic

The issues faced by transgender people in today’s world are something not often explored in storytelling media. While representation for trans people is catching up somewhat, it is still lagging behind what it should be, given that nearly one percent of the population identifies as such. Luckily, some creators, like author and illustrator Takako Shimura, were ahead of the game. 

The 2011 adaptation of her manga tells the story of two kids, Yoshino and Yuuichi, who have struggled with their gender identity since entering middle school. The two are able to confide in each other over their confusion but still ultimately struggle to fit in. Luckily, they have other friends to help them through it in a story that explores bullying, relationships and identity for transgender kids.

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Psycho-Pass – Fall 2012 – Studio: Production I.G.

There are a number of influential figures in anime whose work has shaped the medium, both for better and for worse. One of its more positive influences, Shinichiro Watanabe, created many amazing works throughout the 2010s, but arguably his best was Production I.G.’s Psycho-Pass.

Psycho-Pass is set in a futuristic Japan, but this time there is a twist. In an age of advanced technology, the country’s justice system has also caught up and uses an invention known as Sibyl. Sibyl allows police to determine the likelihood of any individual committing a crime, and because of this, the entire criminal justice system is based on this technology. However, it becomes a problem when those such as Makishima appear with the unique trait of being undetectable.

To put it bluntly, Psycho-Pass is like if every procedural crime drama show was even remotely interesting. It comes jam-packed with plenty of action, while still holding true to its themes of the inherent injustice in criminal convictions, as well as the problems of relying too much on technology. While its subsequent seasons were less than stellar compared to the first, it is still worth watching nonetheless. 

Log Horizon – Fall 2013 – Studio: Satelight

There are also a ton of individual anime that are influential as well, one of those being Sword Art Online, a series whose trapped-in-a-video-game storyline inspired many similar premises to receive adaptations of their own. However, coming before does not necessarily mean that a show is better.

Enter Log Horizon, a series about a group of friends who get trapped in a world that looks a lot like their favorite MMORPG “Elder Tale.” Although initially comforted by their new environment’s seeming familiarity, they soon realize there are many things about this world they do not yet know. 

While it definitely helps to have some knowledge of how MMOs generally work, it is not necessary for understanding just how amazing this show is. A lot of what makes it so great is its main character Shiroe. For most of the series, Shiroe acts as the not so charismatic leader, helping organize the players in a way that lets everyone live comfortably. Despite not initially coming off as that interesting, Shiroe becomes an even bigger focal point later on as the mystery behind his old guild, The Boston Tea Party, is slowly revealed. 

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No Game No Life – Spring 2014 – Studio: Madhouse

Imagine a world in which war, robbery, theft and murder are all gone. It is one where physical violence is impossible due to an ancient war in which the god of play took over and remade the world into one in which all conflict is to be settled by games. Now, imagine the story of a brother and sister who get transported to this world by God himself, and who soon realize the secret hidden within. 

Put all of that together and outcomes No Game No Life, one of the most exciting anime to come out in recent memory. Sora and Shiro, the aforementioned brother and sister, come to the world of Disboard because they wished for a new life, one where their incredible skills at games can shine through.

The thing that makes it a remarkable series is the tag team of Sora and Shiro. Even when it looks like they might lose, the two of them always believe in each other and find a way to beat the odds.

Haikyuu – Spring 2014 – Studio: Production I.G.

Not often talked about in the world of sports is volleyball, a game whose rules and skillsets create a scenario where a play can start and end within a matter of seconds. Luckily, this high-octane sport has not been forgotten about. 

Haikyuu stars Shoyou Hinata who in middle school dreams of playing volleyball on the national stage. In middle school, he forms a team with a few of his friends. The team practices quite a bit, only to be stuffed out in their first tournament by Hinata’s eventual rival Tobio Kageyama. When the two find out that they are attending the same high school, they realize that, for the better of the team, they need to put aside their differences in order to strive for victory.

Good sports stories are often just good underdog stories with sports being the main conflict, and Haikyuu fits that bill easily. Due to his small stature, Hinata initially struggles to find his spot on the Kurasuno High team. Eventually, with the help of Kageyama, who becomes the team’s setter, Hinata is able to become an amazing spiker. 

Tune in next week as I finish highlighting the best of the 2010s.

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Now, since this is the future if you want to see the rest of this list it is available already on The Daily Beacon, but I will also be posting the second half next Friday. Now, I know what I think I missed, but is there another show that should be on here? Let me know in the comments.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Feeding the Flames: Wonder Egg Priority, Hearthstone, Etc.

Welcome, weebs, to Animated Observations

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It has been a while since I did a post like this, but Dewbond’s similarly focused series Don’t @ Me made me realize just how much fun giving random, semi-related hot takes about things can be. After all, what is the point of the internet if not to get people arguing in the comments section?

With that being said, let us get started.

One Piece isn’t worth it

We are starting off strong in this one, and yeah, sorry not sorry. Maybe this is easy for me to say because I am not on the other side of it, but a series that takes 50 episodes minimum to get anywhere close to interesting, let alone getting through now 1000 episodes. While I can understand and even appreciate people’s passion for the series, I just have no reason to invest that much time into a show while barely enjoying it.

Wonder Egg Priority is almost certainly getting nominated for Anime of the Year

For as much of a disappointment as this series was, and much to many people’s, including my own, dismay, Wonder Egg Priority will likely see at least one nomination at the Crunchyroll Anime Awards for next year. Now, this does not mean that anime awards are always a perfect measure of quality, but the series does appeal enough to reviewer types like myself and probably a lot of the people who will act as judges to land at least a nomination. This will almost certainly be the case even despite the series lackluster ending.

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Sora has the best Smash reveal trailer in all of smash

Listen, I know I’m milking this one for all its worth, but just let me have this, ok?! Obviously, full bias here, as Kingdom Hearts is a cherished memory of mine, but even so, Sora’s reveal for Smash is the most hype trailer for a couple of reasons. First, The main plotline serves as a callback to the World of Light story, in which the characters are captured by darkness. This mirrors perfectly the story of Kingdom Hearts, in which Sora must use the power of light to defeat the darkness. On top of that, the trailer has some top-tier animation along with some amazing meme potential without feeling entirely like a joke. Iconic is an understatement.

Fractured in Alterac Valley will be a good set, actually

This one will be for all two of my readers who are also Hearthstone players, but the upcoming set “Fractured in Alterac Valley” looks to be an exciting set, even without the addition of new hero cards. The cards seem significantly more measured in their impact even while looking incredibly powerful. In particular, the callback to burgle Rogue, while not super convincing from a power level perspective, does seem to be lining up as a fun archetype. Big Mage, even more, seems to be a legitimate threat as far the meta is concerned. Despite the popularity of standard format going down a significant amount, there is still plenty of fun to be had.


Have a hot take of your own? Just want to argue? Leave a comment down below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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Romance Anime, “Golden Time,” and Amazing Drama

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Hey everyone, so quick backstory on this post. I watched the anime series Golden Time earlier this year and I liked it… a lot. I liked it so much in fact that it ended up on my favorites list that I posted back in August. It also inspired me to make a video which, not uncommonly around here, I never actually ended up doing. So, since I ran out of time for today and could not think of anything else, here is the script for that video. Enjoy!


Hot take: most romance anime are not particularly good.

Yeah, I said it. What are you gonna do about it? In all seriousness though, I hope that at this point in the progression of anime as an art form that we can at least recognize the abundance of mediocre romance in anime. You know the ones I’m talking about: the generic Japanese high school main characters have never interacted with a member of the opposite sex will they won’t they until they maybe hold hands at the end of season two if they even get that far bs that feels like it dominated for most of the 2000s and 2010s. 

Thankfully, it seems as though that is slowly beginning to change. While I did not necessarily enjoy it as much as others, I can at least appreciate what a show like Gamers! was trying to do, playing off the traditional popular girl loser main character dynamic and flipping it on its head. Shows like Horimiya have shown that romance anime can come to satisfying conclusions, while also displaying a fair amount of emotional and character development among the whole cast. Granted, Tsuresure Children was doing this back in 2017 to a slightly worse effect, but still good to see regardless. 

Now, this is not to say that this push and pull dynamic can’t work in certain shows. Oftentimes, such as with a series like Kimi no Todoke, this revolves around the idea that the main characters are afraid of what the other one is thinking, which is definitely relatable. In fact, I would say most romances of this persuasion invoke this notion of relatability. However, that by itself is not a payoff or a mark of good storytelling, but merely a part of it. 

This brings me to Golden Time, a 2013 romance and drama produced by J.C. Staff. The story centers around a college-age amnesiac who remembers nothing about his identity due to having been knocked off a bridge. Tada Banri, thus, decides to move to Tokyo and attend law school in order to start his life over. From there, he meets Yana, and the rich girl who’s obsessed with him, Koko. The group begins to grow close while Banri slowly but surely regains his identity.

Funnily enough, I actually ended up hearing about this series at first from an old episode of the Podtaku podcast, which featured some familiar faces of the anime YouTube community, namely Gigguk. He was incredibly enthusiastic about the series at the time, and for whatever reason, his high praise of the show stuck in my mind. Never have I been more thankful for my oddly specific long-term memory, because while I went into Golden Time with relatively few expectations, it delivered a storytelling experience that I can only describe as emotionally cathartic and incredibly well executed.

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A lot of what Golden Time does right comes in the form of the character’s relationships as well as its use of Tada Banri’s Amnesia as a plot device. For starters, it helps that these characters feel like real people. Like I said before, relatability only matters in so much as it allows the viewer to form a connection with the series and the characters. However, forming a direct relationship between viewer and audience is not the only way to do this. 

Instead, the series ops to let the characters’ relationships progress naturally. The fact that Banri and Koko start dating in the first place is a product of both Banri’s longing to build a new identity due to his amnesia, as well as Yana’s refusal to date her. Similarly, Yana’s budding relationship with Linda follows logically from being rejected by Chinami and then hanging out with her in a purely platonic context. None of the relationships that emerge throughout the series feel forced, which allows for more of a genuine experience.

Of course, all of these relationships are centered around Banri, whose journey through college and battle with his amnesia is the focus of the series. Banri, while definitely having the character design of a generic anime protagonist, certainly does not act it. Even as a literal shell of a human being, his progression throughout this 24 episode series is a combination of heartbreaking and victorious that feels like the best roller coaster I have ever ridden. Through the highs and lows of his journey, he remains a moving presence on screen, and the looming worry about the potential consequences of his returning memory makes it all the more engaging.

A theme that emerges early on in the series is one of identity, specifically dealing with the loss of one’s identity and the prospects of beginning life anew. Now, for Banri this is fairly obvious, as his amnesia has forced him to pack up and start fresh in an unfamiliar place. However, the same can also be said of Koko, who built her identity around a version of Mitsuo that only existed in her head. Thus, when he rejected her in the clearest language he could, her identity also falls apart and has to be rebuilt. 

Banri’s amnesia and this theme of identity become foundational for the series and drive a lot of the heavier moments that happen later on. During Golden Time’s latter half, Banri realizes that the re-emergence of his lost memories could also spell the disappearance of his current ones. This becomes more obvious when he begins to have episodes of remembrance, and the previous Tada, Banri reemerges. It is during this time he realizes just how fragile the current version of himself really is.

However, that fragility is not just his own. Just as much as she had built her previous identity around Mitsuo, Koko has similarly become inseparable from Banri. Thus, when it becomes apparent that the boyfriend she knows might not be around for much longer, she breaks up with him in order to save herself the pain of watching their identities collapse simultaneously. 

So much of what makes good drama and romance are the stakes. After all, romance itself can only be so interesting. What matters is what is happening around that romance. For Golden Time, those stakes are the relationships themselves. Banri doesn’t want to lose his entire identity again, and neither does Koko. To live a normal life in the face of the almost supernatural: that is the dream of these two star-crossed lovers. Sure, it turns out ok in the end, but it didn’t have to, and that fear of loss is powerful…


How do you all feel about Golden Time, and about romance anime in general? Let me know in the comments below.

If you are interested in reading more from me, check under blog to read my most recent stuff, or look below for some related posts. Also, if you would like to support Animated Observations, consider donating on Ko-fi or through paypal, or pledging on Patreon. You can even support by just liking and sharing this post.

Buy Me a Coffee at ko-fi.com

Check out my writing blog, Solidly Liquid!

If you can’t, or just don’t feel like it, no worries. Thank you all for reading, and goodbye, for now, friends!

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